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Jason Lindner: Beyond the Solo

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Jason Linder has been at the center of modern jazz's evolution for nearly two decades. His distinctive and flexible piano and synthesizer sound have placed him in a bewildering array of musical contexts and whether it's accompanying Anat Cohen, collaborating with Dafnis Prieto, or challenging the very edges of contemporary jazz--edges he has helped carve--Lindner consistently presents incisive musical forays that manipulate rhythm and sonic texture as much as they do melody and harmony. Equally articulate away from the piano, Lindner's position at the cross roads of creative jazz lends him a unique perspective and provocative insight into ...

INTERVIEWS

Mircea Tiberian: The Natural Force of Music

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Pianist Mircea Tiberian is an emblematic figure of Romanian jazz, with a prodigious musical and academic career. He plays an influential role in the jazz scene and as author of many theoretical studies and essays, fosters its development on the theoretical level as well. Along his 40 year career Tiberian has played with top ranking Romanian jazz musicians and with quite a few Western ones such as Randy Brecker, Chris Dahlgren, John Betsch, Maurice de Martin and Christian Lillinger. Educated in the classical tradition, the pianist followed the energetic and intellectual line of instrumental expressivity established by McCoy Tyner and ...

INTERVIEWS

Omer Klein: Theme and Variations

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One of the numerous talents that Israel has produced in the last decade is pianist Omer Klein. He is a much sought-after guest at various music venues in Europe, Israel and the U.S and last April he had his first tour in Canada. Klein, grew up in Netanya, Israel. After he received a special scholarship Klein moved to jny: Boston where he attended the New England Conservatory. In 2006 he moved to New York where he quickly became a notable member of the NYC jazz scene. Nowadays Klein lives with his wife in Düsseldorf. He has given numerous master classes ...

INTERVIEWS

Idris Muhammad: Coming to Grips with His Greatness

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This interview was originally published on May 2002. “Style? No, I just play, man. I don't really have a style. Just being able to play music is a style, you know?" says the veteran drummer master Idris Muhammad in his laid-back and understated style. Others know better than to take that self-effacing comment at face value. His style developed into a unique sound over the years, a jny: New Orleans-based rhythm that has influenced many other drummers that followed. He's always had a special “something" and others know it, hiring him repeatedly for settings ranging from ...

INTERVIEWS

Lenny Pickett: Equal Opportunity Explorer

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Lenny Pickett is one of those tenor saxophonists who people have heard over and over and, if they're not paying attention, they don't realize it. If they are listening, they will probably pick up on his wailing altissimo phrases and his ballsy, funky sound. He's one of those players, like David Sanborn, who has played on a gazillion albums of people from the pop, soul and rock world. Like Sanborn, he has maintained a sound that is all his own. He's also comfortable in the jazz idiom, and has done many a gig in that genre. He's a ...

INTERVIEWS

Steve Swell: Unlimited Musical Possibilities

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"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is rare to find a balanced view on the subject. The question arises, why does the same music so strongly attract and repel? To seek answers to this and related questions about music that presses the limits of the expectable, All About Jazz initiated a ...

INTERVIEWS

Orrin Evans: Hot Irons In The Fire

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A pianist with great chops, great touch and an attack that fancies many influences from fierce swing to gospel, Orrin Evans is one of the outstanding creative musicians on the New York City scene. His work, no matter what the context--and he loves different contexts--is downright riveting at times. But for the 38-year-old who hails from jny: Philadelphia, jazz, though a pleasure, was a bit of a mystery when he was first experimenting with it. “I didn't know what improvisation was, to be honest. I didn't know what they were doing," when he listened to records, ...

INTERVIEWS

Yaron Stavi: Profoundly Bassist

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Yaron Stavi is a bassist who has performed all over the world with many musicians, playing double and electric bass and crossing genres into rock, classical, jazz and World Music. He studied in Berlin and played with orchestras around Europe, North America and Asia, and was principal bassist with the Mahler Youth Orchestra under, among others, Pierre Boulez, Sir Neville Marriner and Mariss Jansons. He has played with violinist Nigel Kennedy and accordion player Richard Galliano, drummer Robert Wyatt and guitarists David Gilmour of Pink Floyd and Phil Manzanera. In 2009 he recorded an album with Polish bandleader, composer and ...

INTERVIEWS

Martin Wind: Appreciating Bill Evans

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Bassist Martin Wind had already gigged with American jazz musicians prior to moving to New York City in 1996 to advance his musical studies. Though classically trained, Wind is highly versatile, having played in orchestras, small jazz groups, crossing genres on the electric bass prior to departing his native Germany. Now, years later, he is a well-established player on the New York scene, having performed with stalwarts like Monty Alexander, Pat Metheny, Clark Terry, Slide Hampton, Toots Thielemans, the Metropole Orchestra, Michael Brecker, Randy Brecker, Phil Woods and more. He's cut albums under his own name and since ...

INTERVIEWS

Ulf Wakenius: Confessions of A Vagabond

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Happenstance may play a role in turning dreams into reality, but anyone who's ever realized a burning ambition will appreciate just how much hard work has paved the way. Two phone calls out of the blue almost twenty years apart opened doors to Swedish guitarist Ulf Wakenius, that in the first case he could only have dreamt about, and in the second, he could never have imagined. In 1997, in fairly dizzying circumstances, Wakenius suddenly found himself in pianist Oscar Peterson's quartet, with whom he would go on to tour the globe countless times during the jazz legend's ...

INTERVIEWS

Bobby Sanabria Spreads The Latin Jazz Gospel

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Drummer, percussionist, composer, educator, Bobby Sanabria has gained renown and respect from fans and musicians alike as one of the foremost proponents of what is labeled Afro-Cuban/Latin Jazz. Born and raised in the South Bronx, Sanabria performed with a veritable Who's Who in the world of jazz and Latin music, as well as with his own critically acclaimed ensembles. His diverse recording and performing experience includes work with such legendary figures as Dizzy Gillespie, Mario Bauzá, Tito Puente, Paquito D'Rivera,, Mongo Santamaría, Ray Barretto, and a myriad of other Latin and jazz greats. Inspired and encouraged by Tito ...

INTERVIEWS

Horace Silver: Blue Note Records and His Lady Music

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The Q&A portion of this article first appeared on KPFK 90.7 FM (Los Angeles) in 1974. 75 years ago Blue Note Records was started by two German immigrants who loved jazz and believed that the music should be heard and preserved. Alfred Lion and Francis Wolff collaborated and built the Blue Note vault of music that included the artistry of immortals: Miles Davis, Sonny Clark, Sidney Bechet, Clifford Brown, Art Blakey, The Jazz Messengers, Lee Morgan, Freddie Hubbard, and Horace Tavares Silver, from Norwalk, Connecticut. Silver stayed with Blue Note Records for 28 years until ...

INTERVIEWS

Partisans: Never the Same Way Twice

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It's been five years since Partisans--the British jazz group (not to be confused with the also-British punk rock band The Partisans) cited as the godfathers of the new wave of British jazz, first emerging in 1997 with the out-of-print self-titled debut on the EFZ label--last released an album, specifically the superlative By Proxy (Babel, 2009), which All About Jazz's Chris May called the group's “long expected masterpiece" and “one of the most exciting albums to be released on either side of the Atlantic in 2009." High praise indeed, but the quartet that's been co-led by the group's two ...

INTERVIEWS

Maud Hixson: Studying Scores and Moving Forward

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Maud Hixson has built an accomplished career as a performer and recording artist out of unlikely circumstances. She grew up far from the capitals of jazz and vocal music, in the Twin Cities area. Doris Day's performance in the Ruth Etting biopic “Love Me Or Leave Me" served as a primary inspiration for a young Maud to become a performer. In her twenties, waiting tables at a diner, she met another future jazz singer, Nichola Miller. With no glamour and lots of hard work, Hixson began spending long hours researching scores and studying the recordings of such greats as Blossom ...



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