Jim Campilongo 4-tet at The Falcon

RESERVATIONS REQUIRED / Dinner 6~9pm
COVID PROTOCOLS FOR STAFF AND PATRONS STRICTLY ENFORCED

”New York has no shortage of guitar heroes but few cover as many bases as Jim Campilongo reveals a range that extends from seductive country-swing to atmospheric jazz and well beyond.” - TIMEOUT NYC

Jim Campilongo is "an American treasure" (Billboard Magazine), an accolade worthy of this artist's influential career.

With Thirteen albums of original material, most recently Jan 2020 Sundazed release “Best of Jim Campilongo Volume One” and guest appearances on dozens of recordings, lead guitar duties with The Little Willies, (his band with Norah Jones), and repeat appearances on The Late Show with David Letterman, Late Night with Conan O'Brien, Jools Holland (BBC), Abbey Road Sessions (BBC) - Campilongo is, as well, a published guitar teacher and contributing editor for Guitar Player Magazine, with the monthly column “Vinyl Treasures” has a large dedicated following....

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RESERVATIONS REQUIRED / Dinner 6~9pm
COVID PROTOCOLS FOR STAFF AND PATRONS STRICTLY ENFORCED

”New York has no shortage of guitar heroes but few cover as many bases as Jim Campilongo reveals a range that extends from seductive country-swing to atmospheric jazz and well beyond.” - TIMEOUT NYC

Jim Campilongo is "an American treasure" (Billboard Magazine), an accolade worthy of this artist's influential career.

With Thirteen albums of original material, most recently Jan 2020 Sundazed release “Best of Jim Campilongo Volume One” and guest appearances on dozens of recordings, lead guitar duties with The Little Willies, (his band with Norah Jones), and repeat appearances on The Late Show with David Letterman, Late Night with Conan O'Brien, Jools Holland (BBC), Abbey Road Sessions (BBC) - Campilongo is, as well, a published guitar teacher and contributing editor for Guitar Player Magazine, with the monthly column “Vinyl Treasures” has a large dedicated following.

Campilongo's virtuosity and originality has inspired a generation of guitar players. His songwriting uses a palette of the best in Blues, Country, Jazz and Rock with a sensitivity and wit that has also earned him the broad fan base most instrumental guitarists never enjoy.

"There it was again: the stinging treble, the spooky overtones, the strings snapping and booming under his hands the sound of a Tele being played as skillfully and exuberantly as it can be played it sounded like nothing and nobody else sounded like Jim Campilongo." - THE NEW YORKER

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