Caroline Davis, Wendy Eisenberg Duet at The New School Of Music

On Tour: An acoustic/eclectic duet from NY.

https://www.facebook.com/events/413504741333734

Caroline Davis, alto, flute & synthesizer and
Wendy Eisenberg, electric guitar. New Music, Free Jazz, Improv.

Using another venue for this concert, located not far to the west of Harvard Sq., off of Mt. Auburn St and the hospital. Parking in their lot.

https://daviseisenberg.bandcamp.com/album/accept-when
Caroline, “I’m totally more interested in putting the science into the music,” Davis, 37, said over drinks at a Brooklyn coffee shop in June. But in balancing intellect and emotion, the edge goes to the latter. For all of Davis’ logical rigor—and her willingness to deploy it in the service of her art—she makes sure that the science informs, rather than dictates, the music’s direction....

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On Tour: An acoustic/eclectic duet from NY.

https://www.facebook.com/events/413504741333734

Caroline Davis, alto, flute & synthesizer and
Wendy Eisenberg, electric guitar. New Music, Free Jazz, Improv.

Using another venue for this concert, located not far to the west of Harvard Sq., off of Mt. Auburn St and the hospital. Parking in their lot.

https://daviseisenberg.bandcamp.com/album/accept-when
Caroline, “I’m totally more interested in putting the science into the music,” Davis, 37, said over drinks at a Brooklyn coffee shop in June. But in balancing intellect and emotion, the edge goes to the latter. For all of Davis’ logical rigor—and her willingness to deploy it in the service of her art—she makes sure that the science informs, rather than dictates, the music’s direction.
Mobile since her birth in Singapore, composer, saxophonist, and vocalist Caroline Davis’s expression covers a wide range of styles, owed to her shifting environment as a child. From angular, melody-present instrumental outfits to soulful, quirky song writing, Caroline’s persona is recognizably present. As an improviser and saxophonist, she has released six albums under her name.
Davis is an advocate for social justice in the realms of gender (This Is a Movement, The New School), IAJE’s Sisters and Mutual Mentorship in Jazz, the Kennedy Center’s Betty Carter Jazz Ahead Program, for Musicians. And organizing community events under the moniker Creatives for Abolition, supporting artistic endeavors and the message of prison abolition.
The experimental guitarist explores multiple approaches to genre and technique through inventive playing and clever songcraft on the new album Auto.
Wendy Eisenberg is an improviser and songwriter who uses guitar, pedals, the tenor banjo, the computer, the synthesizer and the voice. Their work spans genres, from jazz to noise to avant-rock to delicate songs; their performances span venues, from international festivals to intimate basements. Though often working solo as both a songwriter and improviser, with acclaimed releases on Tzadik, VDSQ, Out of your Head, and Garden Portal, they also perform in the rock band Editrix, and in endless other combinations of their heroes and peers including Allison Miller, Carla Kihlstedt, John Zorn, Billy Martin, and Caroline Davis. They are also a writer on music and other things, with published essays on music in Sound American, Arcana, and the Contemporary Music Review.
https://www.wendyeisenberg.com/albums

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