in Momentum Concert Series at Outpost 186

FEATURING:

Gustavo D'Amico (sax); Elinor Speirs (violin) & Kinan Ednawi ((oud)

Naseem Alatrash (cello) & Layth Sidiq (violin)

Giuseppe Paradiso (drums and perc.); Jiri Nedoma (piano & keys) & Tino D'Agostino (elec.bass)


www.inmomentumseries.com
https://www.facebook.com/inmomentumseries


In Momentum concert series was born in October 2013 and since then has held two concerts each month on a regular basis, presenting different musicians from all-over the world. The series is led by vocalist Gabriela Martina and drummer Giuseppe Paradiso....

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FEATURING:

Gustavo D'Amico (sax); Elinor Speirs (violin) & Kinan Ednawi ((oud)

Naseem Alatrash (cello) & Layth Sidiq (violin)

Giuseppe Paradiso (drums and perc.); Jiri Nedoma (piano & keys) & Tino D'Agostino (elec.bass)


www.inmomentumseries.com
https://www.facebook.com/inmomentumseries


In Momentum concert series was born in October 2013 and since then has held two concerts each month on a regular basis, presenting different musicians from all-over the world. The series is led by vocalist Gabriela Martina and drummer Giuseppe Paradiso.
In Momentum was created as an opportunity for musicians to focus on creativity and development of their own natural musical voice and language, without any type of compromise. The series is based on free improvisation and extemporaneous compositions. In a constantly growing community, different musicians from different cultures and backgrounds, break boundaries to create on the spot, in a very inspiring and supportive environment. In a society, where musicians are often influenced in their creative process by factors such as the music business/industry, music education, music categorization etc., the purpose of this series is to create an environment to enhance freedom of creativity through improvisation. We do not intend to perform or define our selves in any categorized music. Our intention is to explore new territories, atmospheres and paths towards the unknown. Deconstructing forms, musical ‘rules’ and genres, lead us back to the passion of making music as genuine as a child at his/her first approach with the instrument.

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