Another dynamic duo: notable, leading-edge Jazz musicians, each a leader from Chicago & New Haven
Summary
Ken Vandermark, tenor, Bp clarinet. From New Haven, Joe Morris, guitar. Joe is as well-known internationally as any on the planet! Ken Vandermarkāa McArthur Fellow āGeniusā awardee, 1999āis also more than just a (great) guest musician, has been a leader and contributor to others for decades, grew up in Natick, Mass and part of the Boston Jazz scene then.
Contact: Alex @ Creative Music Series,[email protected], 617/800-7255
https://www.creativemusicseries.com/ ...
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Another dynamic duo: notable, leading-edge Jazz musicians, each a leader from Chicago & New Haven
Summary
Ken Vandermark, tenor, Bp clarinet. From New Haven, Joe Morris, guitar. Joe is as well-known internationally as any on the planet! Ken Vandermarkāa McArthur Fellow āGeniusā awardee, 1999āis also more than just a (great) guest musician, has been a leader and contributor to others for decades, grew up in Natick, Mass and part of the Boston Jazz scene then.
Contact: Alex @ Creative Music Series,[email protected], 617/800-7255
https://www.creativemusicseries.com/
www.lilypadinman.com
https://www.facebook.com/events/3370469776519085?
Morrisā impact on Vandermarkās creative path goes back to the mid-1980s, when he heard Joe perform in the Boston with his trio and his group Sweatshop on a regular basis.
"One of the most profound improvisers at work in the U.S."
Will Montgomery, The Wire
"ā¦ the guitar revolutionary to pay attention to."
NORMAN WEINSTEIN, THE BOSTON PHOENIX
"ā¦ a guitarist whose sound is completely his own, oscillating between deadpan sweetness and dangerous, shrapnel-like caprice."
K. LEANDER WILLIAMS, THE VILLAGE VOICE
"ā¦ he sounds like no one else."
ART LANGE, THE WIRE
āThe fire-breathing Ken Vandermark takes chances that others dare not pursue, risk ridicule in the hopes of finding a new path?ā
Chicago Tribune
āPlaying from skeletal scores that barely outlined themes, this quartet covered a more sweeping range of ideas than skeptics of the jazz avant-garde might have expected. Tender melodic passages alternated with tempestuous bursts of noise (or something close to it); rhythmically chaotic pieces were followed by good old-fashioned swing backbeats. Practically everything in the syntax of jazz was open for discussion ā and re-examinationā.
Vandermarkāinitially categorized as an energy playerāhas become increasingly taxonomical in his approach, like his heroes Anthony Braxton and British sax scientist John Butcher. Each of Vandermarkās improvisations was clearly discernible from the last, not merely a cavalcade of techniques or effects required to sustain momentum. Though tenor is terra firma for him, Vandermark is equally bold on baritone and clarinets. Down Beat
āEssentially Iām self-taught, so I didnāt have school chops. I can read music and things like that, but Iām not a harmonically based player in a conventional way at all. I donāt play music that deals with chord changes. I donāt really care for that. I donāt hear music that way, and I donāt function well in those environments. I think some people thought, āHe canāt really play.'ā
Joe Morris, Ken Vandermark, Luther Gray Rebus CD (Clean Feed) 2007
Ken Vandermark & Pandelis Karayorgis Foreground Music CD (OkkaDisk) 2007
https://vandermark1.bandcamp.com/album/like-rays trio with Joe / piano, ā96
https://vandermark1.bandcamp.com/album/deep-telling trio with joe / drums
Joe Morris & Ken Vandermark Consequent Duos: series 2B 2019
https://kenvandermark.bandcamp.com/album/consequent-duos-series-2b, August 13th of 2019.
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