Delivery is delayed for this event. Tickets will be released three (3) days prior to the show.
Sparks aren't most acts. If anything, their rate of productivity has sped up in recent years: since the millennium the duo have released eight new studio albums (including, in 2024, the original Sparks 2013 album recording of Annette), a radio opera (The Seduction Of Ingmar Bergman), a side-project (Franz Ferdinand collaboration FFS), a live album, a film musical (2021's Annette, which won a ‘Best Director award for Leos Carax and the Best Original Score at the César Awards for the Maels), and several compilations (notably 2019's career-spanning Past Tense), toured the world numerous times, as well as appearing in the aforementioned The Sparks Brothers. Their laurels remain resoundingly unrested-upon....
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Delivery is delayed for this event. Tickets will be released three (3) days prior to the show.
Sparks aren't most acts. If anything, their rate of productivity has sped up in recent years: since the millennium the duo have released eight new studio albums (including, in 2024, the original Sparks 2013 album recording of Annette), a radio opera (The Seduction Of Ingmar Bergman), a side-project (Franz Ferdinand collaboration FFS), a live album, a film musical (2021's Annette, which won a ‘Best Director award for Leos Carax and the Best Original Score at the César Awards for the Maels), and several compilations (notably 2019's career-spanning Past Tense), toured the world numerous times, as well as appearing in the aforementioned The Sparks Brothers. Their laurels remain resoundingly unrested-upon.
Ron Mael (keyboards, songwriting, moustache) and his younger brother Russell (singing, charisma, looks-looks-looks) were born and raised in Los Angeles, and first recorded under the name Urban Renewal Project and subsequently Halfnelson, before settling on the name Sparks in 1972. Despite being mentored and produced by Todd Rundgren and signed by Bob Dylan's manager Albert Grossman, American audiences initially proved unreceptive to Sparks' uniquely arch, ironic aesthetic, and their breakthrough came instead after they relocated to London with a new backing band, scoring a huge hit in 1974 with the cinematic, staccato single 'This Town Ain't Big Enough For Both Of Us', and unleashing full-scale Sparksmania in the UK.
In the decades since, one thing that has never faltered is their commitment to artistic innovation. They've moved through numerous genres and phases, including Art-Glam (1974's mega-selling Kimono My House), Neo-Charleston (1975's Tony Visconti-produced Indiscreet), electronic disco (1979's Giorgio Moroder collaboration No.1 In Heaven, which essentially invented the synth duo), synthpop (1994's glorious Gratuitous Sax & Senseless Violins) and sampler opera (2002's career-rebooting Lil' Beethoven). The only common threads, throughout each era, are the exquisite wit of Ron's lyrics and the complexity of his arrangements, and Russell's heavenly voice.
And, after all these years, they continue to break new ground. Their 2025 tour, the first leg of which begins on 8 June in Japan, ends on 8 July in Milan. Although Russell performed in Italy once as part of a Sgt Pepper anniversary concert and both brothers played there with FFS, this will be the first-ever Italian Sparks gig.
MAD! opens with the song 'Do Things My Own Way', a piece of typically forward-facing progressive pop which is the album's lead single and focus track. But it also functions as something of a manifesto for the Maels themselves. Because Sparks are a band who have always, always done things their own way.
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