The John Pizzarelli Quartet Holiday Show With Jessica Molaskey at Fred Taylor's Jazz & Heritage Series at Cabot

Jazz guitarist and singer John Pizzarelli was called “Hip with a wink” by Town & Country, “madly creative” by The Los Angeles Times and “The genial genius of the guitar” by The Toronto Star.

Pizzarelli’s most recent CD is Midnight McCartney, John’s tribute to the legendary Beatle, Paul McCartney, released in late 2015.

Pizzarelli started playing guitar at age six, following in the tradition of his father. After playing in pickup groups and garage bands through high school he began exploring jazz with his father as a teenager, and was able to perform with a number of great jazz musicians who would be a major influence on his work, including Benny Goodman, Les Paul, Zoot Sims, Clark Terry and Slam Stewart. John went out on his own after recording My Blue Heaven for Chesky Records in 1990, then toured extensively, playing clubs and concert halls, opening for such greats as Dave Brubeck, Ramsey Lewis and Rosemary Clooney. In 1993, he was honored to open for Frank Sinatra’s international tour and then joined in the celebration for his 80th birthday at Carnegie Hall bringing down the house singing “I Don’t Know Why I Love You Like I Do” with his father accompanying him....

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Jazz guitarist and singer John Pizzarelli was called “Hip with a wink” by Town & Country, “madly creative” by The Los Angeles Times and “The genial genius of the guitar” by The Toronto Star.

Pizzarelli’s most recent CD is Midnight McCartney, John’s tribute to the legendary Beatle, Paul McCartney, released in late 2015.

Pizzarelli started playing guitar at age six, following in the tradition of his father. After playing in pickup groups and garage bands through high school he began exploring jazz with his father as a teenager, and was able to perform with a number of great jazz musicians who would be a major influence on his work, including Benny Goodman, Les Paul, Zoot Sims, Clark Terry and Slam Stewart. John went out on his own after recording My Blue Heaven for Chesky Records in 1990, then toured extensively, playing clubs and concert halls, opening for such greats as Dave Brubeck, Ramsey Lewis and Rosemary Clooney. In 1993, he was honored to open for Frank Sinatra’s international tour and then joined in the celebration for his 80th birthday at Carnegie Hall bringing down the house singing “I Don’t Know Why I Love You Like I Do” with his father accompanying him.

For Pizzarelli though, his hero and foundation was Nat “King” Cole and the comparison to his iconic trio is the highest of compliments. “I’ve always said in my concerts that Nat ‘King’ Cole is why I do what I do.” But Pizzarelli adds, “We aren’t trying to copy him. His sound was singular and inspired. I’ve always said we’re an extension, a 21st century version of what that group was.” In fact, Pizzarelli devoted his RCA albums Dear Mr. Cole and P.S. Mr. Cole to music made famous by the beloved song stylist. Pizzarelli’s catalog of albums also includes a touching cycle of torch ballads (After Hours), a collection of classic swing and bold originals (Our Love is Here to Stay), and a charming holiday disc (Let’s Share Christmas). On one of his last projects for RCA, John Pizzarelli Meets the Beatles, he brought classic Beatles songs into the worlds of swing and smoky balladry.

A popular TV commercial for Foxwoods Casino made Pizzarelli a very recognizable face. “In the Northeast, I can see people staring at me on the street. ‘The Wonder Of It All’ is a great tune,” he enthuses of the Don Sebesky-arranged number. “And people are calling the casino to ask ‘who’s that guy singing?’ If I’m going to be associated with a jingle, I’m happy that at least it’s something I like.” In 1997, Pizzarelli made his Broadway debut in the musical Dream, a revue of Johnny Mercer songs.

Pizzarelli signed with the GRAMMY® Award winning label Telarc International in 1999 recording a string of successful CDs starting with Kisses In The Rain, a diverse set of standards and original tunes that showcases the spontaneity of his live performances within a studio setting, followed by Let There Be Love.

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