Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members.
For information regarding our Baby Grand Membership click here.
“Rarely do I add my thoughts about upcoming artists, but Veronica Swift is a must see! My friend Chris Botti called her ‘one of the best female jazz vocalists of his lifetime’ and I echo the same sentiment! You absolutely do not want to miss this performance!” –Larry Farber, Founding Partner“She has a miraculous voice, musical ability and technique, as well as an innate gift for entertaining a crowd.” — Wall Street Journal...
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Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members.
For information regarding our Baby Grand Membership click here.
“Rarely do I add my thoughts about upcoming artists, but Veronica Swift is a must see! My friend Chris Botti called her ‘one of the best female jazz vocalists of his lifetime’ and I echo the same sentiment! You absolutely do not want to miss this performance!” –Larry Farber, Founding Partner“She has a miraculous voice, musical ability and technique, as well as an innate gift for entertaining a crowd.” — Wall Street Journal
"Swift gets both dramatic and slyly witty, taking on sexism directly with her unrestrained makeover of 'How Lovely to Be a Woman’…” — Glide Magazine
“Veronica Swift is a woman of many voices, and she uses every one of them to refract a dizzying kaleidoscope of moods on 'This Bitter Earth...'” — DownBeat
VERONICA SWIFTWATCHWEBSITE
Veronica Swift’s new eponymously titled album, her third for Mack Avenue Records, is a masterful coming-out story. On her previous albums, Confessions (2019) and This Bitter Earth (2021), she ascended to the upper echelon of early 21st century jazz singers because of her virtuosic brilliance, interpretive ingenuity, bracing songwriting, and keen arrangements. Simply put, Swift is not only one of the most dazzling singers to emerge in her generation, she’s one of the most versatile.
While her first two albums solidified her position in modern jazz, Veronica Swift shows that she’s more than a jazz singer, exploring French and Italian opera, European classical music, bossa nova, blues, industrial rock, funk, and vaudeville. She pulls the feat off without the results sounding callow or pastiche. Swift’s expansive artistic voice remains firmly intact regardless of genre.
Swift describes this personal artistic statement on her new album as “transgenre.” “I grew up immersed in the culture of jazz music, blessed to have had some of the greats as mentors, and I felt a deep familial duty to uphold that tradition,” she says, reflecting on her parents – jazz singer and educator, Stephanie Nakasian, and bebop pianist, Hod O’Brien.
“But as rooted in jazz as I’ve been, there’s a uniquely visceral power in rock and soul music that’s always fueled my creative passion, and rather than mask or confine that part of my identity, the people I admire most show themselves unabashedly and that’s the kind of tradition I want to be a part of.”
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