Monday Meetings “envision/revision” | Jungesloft Präsentiert: Naïma Mazic at Loft

tickets:
regular: 12,- €uro
students, disabled persons: 6,- €uro

doors: 8.00 pm CET
concert starts:
approx. 8.30 pm CET



PoLy-Mirrors /a re-performance of feminine diagonals

Choreographer Naïma Mazic brings slanted looks, tilted heads, tangent necks, twisted bodies into movement. Two dancers and two jazz musicians communicate through a shared rhythmic vernacular, disrupting straight lines, looks, bodies.

Dancers Naïma Mazic and Lucie Piot, Evi Filippou on percussion/vibraphone and Felix Hauptmann on synthesizer and piano perform a polyrhythmic glissando into a diagonal feminine state of being, questioning an imposition of diagonal lines on the female body, leading from a projection, eroticization and fetishization of a desired strangeness, a mystified seductiveness into a ritual of submission. The rhythm is based on the menstruation cycle, the choreographic material derives from paintings, sculptures and images representing an ideal of the feminine- from the figure of the virgin Mary, European renaissance Art until today....

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tickets:
regular: 12,- €uro
students, disabled persons: 6,- €uro

doors: 8.00 pm CET
concert starts:
approx. 8.30 pm CET



PoLy-Mirrors /a re-performance of feminine diagonals

Choreographer Naïma Mazic brings slanted looks, tilted heads, tangent necks, twisted bodies into movement. Two dancers and two jazz musicians communicate through a shared rhythmic vernacular, disrupting straight lines, looks, bodies.

Dancers Naïma Mazic and Lucie Piot, Evi Filippou on percussion/vibraphone and Felix Hauptmann on synthesizer and piano perform a polyrhythmic glissando into a diagonal feminine state of being, questioning an imposition of diagonal lines on the female body, leading from a projection, eroticization and fetishization of a desired strangeness, a mystified seductiveness into a ritual of submission. The rhythm is based on the menstruation cycle, the choreographic material derives from paintings, sculptures and images representing an ideal of the feminine- from the figure of the virgin Mary, European renaissance Art until today.

One subject is fixed, the other takes off, orbiting in circles and emerging into queerness. Together, n ï m company is facing and playing with the “dance of contempt” of patriarchal masculinity by reclaiming and re-signifying gestures of feminine diagonals.

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