Giacomo Gates at Jazz At The Post

 
Giacomo Gates does more than sing “a bunch of songs.” He is truly an entertainer, for all ages and styles, as audiences enjoy the music, the interaction on the bandstand between him and his musicians, the spontaneity, the humor, the stories about the music and composers, along with their relation to everyday life. People are smiling, having a good time, while thoroughly enjoying the music. What usually lacks in most of today’s performances is obviously present … fun!
The criteria for defining jazz singing will probably be argued for the rest of time. But no matter which side of the argument one may be on, there can be no doubt that Giacomo Gates is an authentic jazz vocalist...

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Giacomo Gates does more than sing “a bunch of songs.” He is truly an entertainer, for all ages and styles, as audiences enjoy the music, the interaction on the bandstand between him and his musicians, the spontaneity, the humor, the stories about the music and composers, along with their relation to everyday life. People are smiling, having a good time, while thoroughly enjoying the music. What usually lacks in most of today’s performances is obviously present … fun!
The criteria for defining jazz singing will probably be argued for the rest of time. But no matter which side of the argument one may be on, there can be no doubt that Giacomo Gates is an authentic jazz vocalist. Heavily steeped in the traditions of the original vocal improvisers from Louis Armstrong and Ella Fitzgerald through their modern counterparts Betty Carter and Leon Thomas, Giacomo’s own approach draws most heavily from the bebop-rooted masters like Jon Hendricks, Babs Gonzales, King Pleasure and most of all, Eddie Jefferson. Like his influences, Gates has forged his own unique path.

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