Christian Mcbride's New Jawn at Bombyx Center For Arts And Equity

Eight-time Grammy Award-winning jazz bassist Christian McBride is a force of nature, fusing the fire and fury of a virtuoso with the depth and grounding of a seasoned journeyman. Powered by a relentless energy and a boundless love of swing, McBride’s career is into its third decade. Drawing from the lexicon of his hometown, Philadelphia, McBride calls his pianoless quartet The New Jawn. Call something a "jawn" in Philly, and everyone will know that whatever you're talking about has a certain hip cachet, a heavy dose of soul, and a generous helping of what in the City of Brotherly Love is known as "atty-tood."...

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Eight-time Grammy Award-winning jazz bassist Christian McBride is a force of nature, fusing the fire and fury of a virtuoso with the depth and grounding of a seasoned journeyman. Powered by a relentless energy and a boundless love of swing, McBride’s career is into its third decade. Drawing from the lexicon of his hometown, Philadelphia, McBride calls his pianoless quartet The New Jawn. Call something a "jawn" in Philly, and everyone will know that whatever you're talking about has a certain hip cachet, a heavy dose of soul, and a generous helping of what in the City of Brotherly Love is known as "atty-tood."

Christian McBride is an eight-time GRAMMY Award winning bassist, composer, and bandleader. McBride is the Artistic Director of the historic Newport Jazz Festival, New Jersey Performing Arts center (NJPAC) and the TD James Moody Jazz Festival, and the National Jazz Museum in Harlem. Christian is also a respected educator and advocate as the Artistic Director of Jazz House KiDS, and the Jazz Aspen Snowmass Summer Sessions. In addition to consistent touring, McBride hosts NPR's “Jazz Night in America” and "The Lowdown: Conversations With Christian" on SiriusXM.

“Built from the ground up — with McBride on bass, Nasheet Waits on drums, Marcus Strickland on tenor saxophone and bass clarinet, and Josh Evans on trumpet — the band combined post-bop harmonic daring with a good dollop of axle grease.” — Nate Chinen, WBGO
“No doubt, the Philly flavor is present—tight instrumentation, fast-and-loose percussive subtlety and soul for days.” — DownBeat

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