25 Nisan / Apr. 2015 Ctesi (22:30-01:30)
Eric Alexander Band
Eric Alexander (ts), Harold Mabern (p), John Webber (b), Joe Farnsworth (d).
Amerika’nın son dönemdeki en parlak sanatçılarından Eric Alexander tarafından kurulan grup, övgüye değer son çalışmaları “Touching”ile ilk kez Ankara Müzik Festivali’nden sonra Nardis’te sahne alacak. 6 yaşında başladığı klasik müzik eğitimini piyano ile sürdüren sanatçı 9 yaşında klarinete geçtikten sonra 12 yaşında kendi deyimi ile “hayatının enstrümanı” tenor saksofonu seçmiş. Pek çok büyük isimle çalışan bu sıra dışı sanatçıya, piyanoda soul caz müziğinin önemli isimlerinden Harold Mabern, bas gitarda New York caz dünyasının tanınmış müzisyenlerinden John Webber ve davulda da 100’e yakın albümde kayıtları bulunan Wynton Marsalis’in davulcusu Joe Farnsworth eşlik ediyor....
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25 Nisan / Apr. 2015 Ctesi (22:30-01:30)
Eric Alexander Band
Eric Alexander (ts), Harold Mabern (p), John Webber (b), Joe Farnsworth (d).
Amerika’nın son dönemdeki en parlak sanatçılarından Eric Alexander tarafından kurulan grup, övgüye değer son çalışmaları “Touching”ile ilk kez Ankara Müzik Festivali’nden sonra Nardis’te sahne alacak. 6 yaşında başladığı klasik müzik eğitimini piyano ile sürdüren sanatçı 9 yaşında klarinete geçtikten sonra 12 yaşında kendi deyimi ile “hayatının enstrümanı” tenor saksofonu seçmiş. Pek çok büyük isimle çalışan bu sıra dışı sanatçıya, piyanoda soul caz müziğinin önemli isimlerinden Harold Mabern, bas gitarda New York caz dünyasının tanınmış müzisyenlerinden John Webber ve davulda da 100’e yakın albümde kayıtları bulunan Wynton Marsalis’in davulcusu Joe Farnsworth eşlik ediyor.
Giriş: 40 TL
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Eric Alexander started piano lessons at the age of six. He took up the clarinet at nine and switched to alto sax three years later. The tenor sax became his obsession at Indiana University Bloomington (1986-87). After transferring to William Paterson College in New Jersey he studied with Harold Mabern, Joe Lovano, Rufus Reid, and others.
“The people I listened to in college are still the cats who are influencing me today,” Eric says. “The legacy left by Bird and all the bebop pioneers, that language and that feel—that’s the bread and butter of everything I do.” George Coleman is a big influence because of his very hip harmonic approach. And I’m still listening all the time to Coltrane because I feel that—even in the wildest moments of his mid- to late-60s solos—I can find these little kernels of melodic information and employ them in my own playing.”
In 1991 Eric competed against Joshua Redman and Chris Potter in the Thelonious Monk International Jazz Saxophone Competition. Placing second, this launched him into the whirlwind life of a professional jazz musician. He played with organ trios on Chicago’s South Side, made his recording debut with Charles Earland (Muse Records, 1991), and cut his first album as a leader, “Straight Up” (Delmark, 1991). More recordings followed for numerous labels, including Milestone. In 1997 he put out “Man with a Horn.” The following year saw the release of “Solid!”—a collaborative quartet session with George Mraz, John Hicks, and Idris Muhammad—as well as the first recording by his sextet One for All.
Eric has appeared on record as a leader, sideman, producer, and composer. By now, he has lost count of how many albums feature his playing; he guesses 60 or 70. He has earned praise from critics and, even more important, established his own voice within the bebop tradition.
In 2004, Eric signed an exclusive contract with HighNote Records, an independent jazz label based in New York City. There he has amassed a considerable discography of critically acclaimed recordings. Most recent among them is “Don’t Follow the Crowd,” and “Friendly Fire” with Vincent Herring.
Eric continues to tour the world and play to capacity audiences. Making his home in New York City, he performs regularly in clubs around the city and appears frequently at Smoke on the Upper West Side.
Music Charhe: 40.-TL
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