Holly Bowling at Park City Music Hall

Cast aside any and all expectations. Whether behind the piano on a windswept mountainous cliff, at a hallowed venue such as Carnegie Hall, or playing shoulder-to-shoulder with some of the most legendary musicians in history, solo pianist Holly Bowling subverts convention with virtuosic playing, emotional immersion, and a thirst for invention. Acclaimed by Rolling Stone, Billboard, Relix, and more and sought-after by icons such as Phil Lesh, Bob Weir, and Warren Haynes, she once again flips the script on her 2020 album and second reimagining of Grateful Dead staples entitled Seeking All That’s Still Unsung.Her introduction to the instrument happened at just five-years-old when mom and dad bought a piano from a yard sale down the street...

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Cast aside any and all expectations. Whether behind the piano on a windswept mountainous cliff, at a hallowed venue such as Carnegie Hall, or playing shoulder-to-shoulder with some of the most legendary musicians in history, solo pianist Holly Bowling subverts convention with virtuosic playing, emotional immersion, and a thirst for invention. Acclaimed by Rolling Stone, Billboard, Relix, and more and sought-after by icons such as Phil Lesh, Bob Weir, and Warren Haynes, she once again flips the script on her 2020 album and second reimagining of Grateful Dead staples entitled Seeking All That’s Still Unsung.Her introduction to the instrument happened at just five-years-old when mom and dad bought a piano from a yard sale down the street. They gave their daughter a choice: ballet or piano. As the sounds of Mozart, Beethoven, and The Grateful Dead piped through their home, she obviously chose the latter without hesitation.In the end, Holly consistently redefines what’s possible on her instrument of choice.“When I play pure stripped-down acoustic piano, it’s like going home,” she leaves off. “I love the nuance, detail, and emotion you can pull out of a piano in a more subtle and quiet setting. The moments I cherish the most happen when I slip outside of myself for a while. If my music gives this to someone else, that would make me happy. There are shades of classical and shades from the Grateful Dead. A lot of classical enthusiasts might not give the Dead a chance. Many Deadheads may not like classical. Personally, I’ve always had two halves of my musical life. When I finally started to bring them together, it was something I’d been building towards for a lot longer than I’d realized. Bringing everything together, I’d love to open up boundaries and help people discover something new.”This will be a fully seated show at Park City Music Hall. Please arrive on time as there are two scheduled performances for the evening. This will be an intimate solo performance and we ask that attendees do not talk during the show.Venue Presale: Thursday, 1/16 at 10amPublic On-Sale: Friday, 1/17 at 10amEach performance will be a different set of music. For two-show tickets, please purchase here.$30 GA Seated Advance, $35 GA Seated Day of$40 Priority Seating *first two rows$55 Two-Show GA Seated *limited quantity$75 Two-Show Priority Seated *limited quantity

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