Alon Nechushtan Quartet: Ritual Fire at The Firehouse Space

Alon Nechushtan: Piano, Tony Malaby: Saxophone, Ken Filiano: Bass, Bob Meyer: Drums

Two years ago, Alon Nechustan surprised us with Words Beyond, a beautiful modern jazz album and now there’s Ritual Fire, an action suite in 10 parts.

Between The Lines record label explains: “Jackson Pollock made “Action Painting” well known a while back, and he became one of the most important painters of the 20th century. This art form considers improvisation to be a pivotal element in painting. Color is often not applied with a brush, but drop by drop, for example, sometimes applied to the canvas directly from the can...

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Alon Nechushtan: Piano, Tony Malaby: Saxophone, Ken Filiano: Bass, Bob Meyer: Drums

Two years ago, Alon Nechustan surprised us with Words Beyond, a beautiful modern jazz album and now there’s Ritual Fire, an action suite in 10 parts.

Between The Lines record label explains: “Jackson Pollock made “Action Painting” well known a while back, and he became one of the most important painters of the 20th century. This art form considers improvisation to be a pivotal element in painting. Color is often not applied with a brush, but drop by drop, for example, sometimes applied to the canvas directly from the can. Simple materials and techniques result in amazing results. In spite of this, it is not at all dilettantism, but instead is done based on comprehensive knowledge of all set structures and techniques. But they are just not satisfied with set structures. “Action Suite” by the pianist Alon Nechushtan pursues similar considerations. Based on virtuoso mastery of musical instrumentation and with a clear idea of what music pieces created in free improvisation should express, a number of precious pieces are created – and these grow together into an overall work of art. Free improvisation in this sense is the opposite of lack of prerequisites. To the contrary: It only works if each single member of the band contributes all of his expertise, experience and skills into a mutual work networked internally. That is what accounts for the extraordinary fascination of “Ritual Fire”: Inner concordance of the musicians that has become rare that makes the free improvisation seem to listeners as if it were composed.”

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