Living in the United States since 1980, Argentine-born bassist and composer Pablo Aslan is recognized internationally as one of the leading figures in traditional and contemporary tango. His extensive discography includes Piazzolla in Brooklyn, a jazz-tango tribute to Astor Piazzolla, and Tango Grill. The latter earned him nominations for a Latin Grammy Award (“Best Tango Album”) and a Grammy Award (“Best Latin Jazz Album”). He performs and tours with a variety of ensembles, including his own 50’s tango dance band The Aces of Rhythm, with the Emilio Solla Tango Jazz Orchestra, Meg Okura’s Pan Asian Ensemble, composer Frank London’s ensembles, Brian Marsella’s Gatos do Sul, and with members of the Chamber Music Society of Lincoln Center in Lalo Schifrin’s “Letters from Argentina”. ...
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Living in the United States since 1980, Argentine-born bassist and composer Pablo Aslan is recognized internationally as one of the leading figures in traditional and contemporary tango. His extensive discography includes Piazzolla in Brooklyn, a jazz-tango tribute to Astor Piazzolla, and Tango Grill. The latter earned him nominations for a Latin Grammy Award (“Best Tango Album”) and a Grammy Award (“Best Latin Jazz Album”). He performs and tours with a variety of ensembles, including his own 50’s tango dance band The Aces of Rhythm, with the Emilio Solla Tango Jazz Orchestra, Meg Okura’s Pan Asian Ensemble, composer Frank London’s ensembles, Brian Marsella’s Gatos do Sul, and with members of the Chamber Music Society of Lincoln Center in Lalo Schifrin’s “Letters from Argentina”.
Heralded as “the next accordion star” by Howard Reich of the Chicago Tribune, Julien Labro has established himself as one of the foremost accordion and bandoneón players in both the classical and jazz genres. Deemed to be “a triple threat: brilliant technician, poetic melodist and cunning arranger,” his artistry, virtuosity, and creativity as a musician, composer and arranger have earned him international acclaim and continue to astonish audiences worldwide.
Raised in a musical family in southern France, Eléonore Weill spent her youth surrounded by both classical and traditional music. She holds diplomas in Recorder, Piano, Music Theory and Chamber Music from the Regional Conservatory of Toulouse and the National Conservatory of Paris, and also learned from the “Street Music School” playing Mediterranean traditional music (mostly Occitane, Romanian and Jewish music) on wooden flutes, hurdy gurdy, and accordion. She then went on to complete a master’s degree in Ethnomusicology from Sorbonne University in Paris and spent a year living and studying folk music in Romania. She has enjoyed a versatile career performing early, classical and contemporary music, klezmer and Yiddish song, Romanian folk music, Occitan folk music, and various other styles on wooden flutes, piano, and vocals throughout Europe and the New York metro area with the C.M.B.V. (Baroque Music Center of Versailles), Orchestre National de Toulouse, Les Saqueboutiers, Ensemble Oneiroi, Miquéu Montanaro, Jenny Romaine and Great Small Works, Joey Weisenberg, Shpilkes, Jake Shulman-Ment, Les Eclats and many others. After years of travel and study, Eléonore now resides in Brooklyn, NY where she performs and teaches music.
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