Petros Klampanis at ShapeShifter Lab

A formidable player and composer, bassist Petros Klampanis makes his auspicious Stateside debut with Contextual
Jazztimes

Contextual is an amazing project
Greg Osby

Excellent writing and playing. I love Petros' aggressive melodicism, beautiful intonation, and uniquely personal string writing
Drew Gress,

Contextual is one of the most exciting projects I have heard from a bassplayer in years. The writing and playing is excellent, with an excellent sound and a wide
spectrum of musical ideas
Arild Andersen

I admit that I am always impressed when I hear a musician like Klampanis give us the gift of his creativity performed on such a timeless vessel ...

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A formidable player and composer, bassist Petros Klampanis makes his auspicious Stateside debut with Contextual
Jazztimes

Contextual is an amazing project
Greg Osby

Excellent writing and playing. I love Petros' aggressive melodicism, beautiful intonation, and uniquely personal string writing
Drew Gress,

Contextual is one of the most exciting projects I have heard from a bassplayer in years. The writing and playing is excellent, with an excellent sound and a wide
spectrum of musical ideas
Arild Andersen

I admit that I am always impressed when I hear a musician like Klampanis give us the gift of his creativity performed on such a timeless vessel
Bass Musician Magazine

Klampanis plays solo bass with a loop pedal to create a “double bass orchestra” on “Basscope” and “Blue Cave,” which are done so masterfully that you’d think it was a full symphony
No Treble Magazine.

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