Harold Lรณpez-Nussa Y Amigos with special guests Pedrito Martinez, Grรฉgoire Maret & Earl Brooks Jr.
For more than a half-century, the embrace between Cuba and the United States has been subject to an odd dance of politics, including a still-standing embargo. Nevertheless, the bond between the two nations is deep and strong as ever, expressed most forcefully through the dance of cultureยespecially music. It's hard to imagine the U.S. jazz scene without the influence of the many Cuban musicians living here. Yet the musicians who remain in Cubaยwhose relationship with jazz and other musical forms stays grounded in their native island's cultural traditions and daily lifeยmaintain a unique perspective. They tell a specific story.
Un Dรญa Cualquiera, pianist Harold Lรณpez-Nussa's second release for Mack Avenue Records, represents this musical vantage point with force and innovation. He tells this storyยhis storyยwith drama, heartfelt emotion and consummate skills.
Lรณpez-Nussa was born 1983 in Havana, where he still lives. "I need the kind of relaxed life that Havana gives me," he said. For Lรณpez-Nussa, whose award-winning music has led to international tours and who holds dual citizenship in Cuba and France. "Every time I return to Cuba, I feel something specialยnot just a connection with my family and friends, but with the place itself. This is where my music comes from, what it talks about."
His previous Mack Avenue album, El Viaje (The Journey), was released on the heels of President Obama's historic 2016 visit to Havana, against a backdrop of newly relaxed trade and travel restrictions. Un Dรญa Cualquiera arrives as U.S. restrictions regarding Cuba again tighten under the Trump administration; considered in that light, the album is an affirmative statement that music will always cross borders and defy obstacles. "I want to grow closer to the American people," Lรณpez-Nussa said. "This has always been an important desire for Cubans, especially musicians. It's impossible for us to be separate because we have so much in common, so much to share."
Musically, Lopez-Nussa's last album augmented his band with additional instruments and influences, including Senegalese bassist Alune Wade, to achieve a globalized sound. For "Un Dรญa Cualquiera," Lopรฉz-Nussa sticks to his core trio, with his younger brother Ruy Adriรกn Lรณpez-Nussa on drums and percussion, and bassist Gaston Joyaยa group the pianist first convened a decade ago in Cuba.
The island of Cuba is dotted with families known for musical achievement. Lรณpez-Nussa grew up in one such home. On May 18, 2018, Washington D.C.'s Kennedy Center will pay tribute to this legacy within its sprawling "Artes de Cuba Festival" through a concert showcasing the Lopรฉz-Nussa family. Harold Lopรฉz-Nussa and his brother will perform alongside their father, Ruy Lรณpez-Nussa, an esteemed drummer and educator, and their uncle, Ernรกn Lรณpez-Nussa, an acclaimed pianist. (Their late mother, Mayra Torres, was a highly regarded piano teacher.)
Harold Lรณpez-Nussa's music reflects the full range and richness of Cuban music, with its distinctive combination of classical, folkloric and popular elements, as well as its embrace of jazz improvisation and interaction. His career gracefully spans styles. Early on, he recorded Heitor Villa-Lobos ฬ Fourth Piano Concerto with Cuba's National Symphony Orchestra (2003) and won First Prize at the Jazz Solo Piano Competition at the Montreux Jazz Festival, Switzerland (2005). He was featured on the album Ninety Miles, playing alongside jazz stars David Sรกnchez, Christian Scott and Stefon Harris, and Esencial (of compositions by revered Cuban classical guitarist, composer and conductor Leo Brouwer). He spent three years in the touring band of the beloved Cuban singer Omara Portuondo.
The ease and invention with which he improvises at the piano, and the suppleness with which his trio swings make it hard to believe that Lรณpez-Nussa didn't really take up jazz until he was 18 years old. "Jazz was scary," he said. "Improvisation was scary." Yet he felt emboldened by Herbie Hancock's 1996 album, The New Standard, of jazz interpretations of pop, rock and R&B songs. "That gave me new ideas about what was possible, and what I could do," he said. He found inspiration, too, from Cuba's great jazz pianistsยthe ongoing work of the reigning master Chucho Valdรฉs, as well as recordings of Chucho's father, the late Bebo Valdรฉs.
Un Dรญa Cualquiera is a forceful statement from a Cuban musician leading his tight-knit Cuban band, recorded in the U.S. (at WGBH Studios in Boston, Mass.), and influenced by music from both countries in ways that transcend narrow notions of "Latin jazz." The album nods to classic Cuban composers and musicians but it focuses mostly on pianist Harold Lรณpez-Nussa's original compositions and his distinctive trio concept. These compositions are mostly new, save for one or two, such as the opener, "Cimarrรณn," which are older pieces reinvented for the present moment.
Lรณpez-Nussa chose the new album's title, which means "Just Another Day," because, he said, "the idea is to put the music and the trio together in a studio and just play, the way we three do every day, any dayยlike a concert in the living room of your house."
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