Eric Revis Quartet at The Back Room

Whether fronting his own ensembles with colleagues such as Orrin Evans, Nasheet Waits, Kris Davis, Andrew Cyrille, Darius Jones and Jason Moran, double bassist Eric Revis has established himself as much for his experimentations into the unknown as with mainstream jazz forms (Branford Marsalis Quartet, Betty Carter).

On his newest album as a leader, Sing Me Some Cry (Clean Feed), he goes a long way beyond anything he's achieved before. Sing follows 2013's Parallax (Clean Feed), his first recorded pairing with multi-reed player and MacArthur Fellow Ken Vandermark, the Chicago experimental scion. It shows Revis’s astoundingly flexible range with a huge grounded sound. Vandermark returns to this session in a quartet with pianist Kris Davis (Revis’s frequent trio partner on a handful of recorded dates with drummer Andrew Cyrille), and a former Chicagoan on drums, Chad Taylor, whom the bassist employed on his acclaimed 2014 quartet session In Memory of Things Yet Seen. ...

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Whether fronting his own ensembles with colleagues such as Orrin Evans, Nasheet Waits, Kris Davis, Andrew Cyrille, Darius Jones and Jason Moran, double bassist Eric Revis has established himself as much for his experimentations into the unknown as with mainstream jazz forms (Branford Marsalis Quartet, Betty Carter).

On his newest album as a leader, Sing Me Some Cry (Clean Feed), he goes a long way beyond anything he's achieved before. Sing follows 2013's Parallax (Clean Feed), his first recorded pairing with multi-reed player and MacArthur Fellow Ken Vandermark, the Chicago experimental scion. It shows Revis’s astoundingly flexible range with a huge grounded sound. Vandermark returns to this session in a quartet with pianist Kris Davis (Revis’s frequent trio partner on a handful of recorded dates with drummer Andrew Cyrille), and a former Chicagoan on drums, Chad Taylor, whom the bassist employed on his acclaimed 2014 quartet session In Memory of Things Yet Seen.

Together, they reinforce the idea that the identity of the music is relative to context and shared experience. The various points of departure sprouting from each player's unique identity fit within the same context because of a shared willingness to experiment with sound and form. Modern creative music is invariably composed of multiple sensibilities. This recording explores these qualities, confirming what has already been said about Revis's personal aesthetic — one committed to "stretching the jazz fabric without ripping it apart." In Sing Me Some Cry, you have traditional vocabulary, free-bop and more, with a continued indifference to established aesthetic ideologies.

Tickets are $15 in advance and $20 at the door. Advance tickets are available at the link below, or you may purchase your tickets at the door the night of the show. Doors open one half hour before show time. We accept cash only at the door (ATMs are nearby).

The Back Room is an all-ages, BYOB (for those 21+) space, dedicated to (mostly) acoustic music of all kinds. You are welcome to bring your own adult beverage with no additional corkage fee. If you need more information or have any questions, please call us: #510-654-3808. Thank you for your support!

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