βA joyful and transgressive album, the manifesto of a generous musical kleptomaniac, and the abundant logbook of an explorer, a buccaneer of soundβ David Aubaile has made of his musical environment a sort of personal and imaginary folklore, which connects worlds that we imagined distant. It is in this unknown space that we discover βTRAFIQUANTSβ, a joyful and transgressive album, the manifesto of a generous musical kleptomaniac, and the abundant logbook of an explorer, of a sound buccaneer. All of the original compositions that constitute it are brought to the highest level by Canadian double bassist Chris Jennings and Algerian drummer-singer-composer Karim Ziad, themselves polyglot adventurers. Aubaile imagined each of these pieces as postcards dedicated to those he calls βtraffickersβ; poets who move askew, as if going against time, who feed on everything and nothing, thus creating singular riches. Despite the multiplicity of its components, the complexity of its metrics and the subtlety of its structures, the music of David Aubaile offers itself, limpid and accessible, because it is delivered with a generosity and a talent which places it both off the track, and right at the heart of what our time needs so much: an invigorating and joyful ode to a world without barriers - Daniel Yvinec...
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βA joyful and transgressive album, the manifesto of a generous musical kleptomaniac, and the abundant logbook of an explorer, a buccaneer of soundβ David Aubaile has made of his musical environment a sort of personal and imaginary folklore, which connects worlds that we imagined distant. It is in this unknown space that we discover βTRAFIQUANTSβ, a joyful and transgressive album, the manifesto of a generous musical kleptomaniac, and the abundant logbook of an explorer, of a sound buccaneer. All of the original compositions that constitute it are brought to the highest level by Canadian double bassist Chris Jennings and Algerian drummer-singer-composer Karim Ziad, themselves polyglot adventurers. Aubaile imagined each of these pieces as postcards dedicated to those he calls βtraffickersβ; poets who move askew, as if going against time, who feed on everything and nothing, thus creating singular riches. Despite the multiplicity of its components, the complexity of its metrics and the subtlety of its structures, the music of David Aubaile offers itself, limpid and accessible, because it is delivered with a generosity and a talent which places it both off the track, and right at the heart of what our time needs so much: an invigorating and joyful ode to a world without barriers - Daniel Yvinec
Β« Un album joyeux et transgressif, le manifeste dβun kleptomane musical gΓ©nΓ©reux, et le foisonnant journal de bord dβun explorateur, dβun flibustier du son Β»David Aubaile a fait de son environnement musical une sorte de folklore personnel et imaginaire, qui connecte les uns aux autres des mondes que lβon imaginait distants.Cβest dans cet espace inconnu que lΚΌon dΓ©couvre Β« TRAFIQUANTS Β», un album joyeux et transgressif, le manifeste dΚΌun kleptomane musical gΓ©nΓ©reux, et le foisonnant journal de bord dΚΌun explorateur, dΚΌun flibustier du son. Lβensemble des compositions originales qui le constituent est portΓ© au plus haut par le contrebassiste canadien Chris Jennings et le batteur-chanteur- compositeur algΓ©rien Karim Ziad, eux-mΓͺmes baroudeurs polyglottes. Aubaile a imaginΓ© chacune de ces piΓ¨ces comme autant de cartes postales dΓ©diΓ©es Γ ceux quβil nomme les Β« trafiquants Β»; des poΓ¨tes qui avancent de guingois, comme Γ rebours du temps, qui se nourrissent de tout et de rien, fabriquant ainsi de singuliΓ¨res richesses. MalgrΓ© la multiplicitΓ© de ses composantes, la complexitΓ© de ses mΓ©triques et la subtilitΓ© de ses structures, la musique de David Aubaile sΚΌoffre, limpide et accessible, parce quΚΌelle est dΓ©livrΓ©e avec une largesse et un talent qui la placent Γ la fois hors piste, et en plein au cΕur de ce dont notre Γ©poque a tant besoin: une ode vivifiante et joyeuse Γ un monde sans barriΓ¨res - Daniel Yvinec
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