Festival Au Fil Des Voix at Le 360 Paris Music Factory

Balthazar Montanaro went to the cultural goldmine that is Cirdòc to draw a selection of exclusively feminine poems, solely focused on the subject of romantic relationships. All chosen for their strength and absence of sentimentality, the texts span several centuries, allowing for a dialogue between women who have experienced very different destinies but share a language and a common form of expression: poetry. As a trio, Saraï breathes life into these texts and invites us to question the various forms of love. More than just a societal topic, it is a vital need for the construction of the "after" world that is yet to be born....

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Balthazar Montanaro went to the cultural goldmine that is Cirdòc to draw a selection of exclusively feminine poems, solely focused on the subject of romantic relationships. All chosen for their strength and absence of sentimentality, the texts span several centuries, allowing for a dialogue between women who have experienced very different destinies but share a language and a common form of expression: poetry. As a trio, Saraï breathes life into these texts and invites us to question the various forms of love. More than just a societal topic, it is a vital need for the construction of the "after" world that is yet to be born.

Balthazar Montanaro est allé puiser, à la mine d’or culturelle qu’est le Cirdòc, une sélection de poèmes exclusivement féminins, sur le seul sujet des relations amoureuses ; tous choisis pour leur force et leur absence de mièvrerie, les textes parcourent plusieurs siècles, permettant de faire dialoguer des femmes ayant connu des destinées très éloignées, mais partageant une langue et une forme d’expression commune : la poésie. En trio Saraï redonne vie à ces textes et nous invite à questionner les différentes formes d’amour. Bien plus qu’un sujet de société, c’est un besoin vital pour la construction du monde “d’après” qui reste à naître.

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