Klm Trio at Sunset-Sunside

At the initiative of the creation of the KLM trio there was the idea of ​​Philippe Macé to bring together the sound conditions, timbres and spaces, for a musical construction that relies on the artistic potential of the three musicians, improvisers and composers concerned and on an original instrumentation: trumpet/flugelhorn, vibraphone, double bass. There was also everyone's desire to create a fusional sound space, enriched by their personal journeys in jazz, contemporary music, world music. Thus the trio's music offers the listener a sonic journey that fluctuates between long, resonant beats and rhythmically denser short beats, between suppressed compositions and free improvisations....

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At the initiative of the creation of the KLM trio there was the idea of ​​Philippe Macé to bring together the sound conditions, timbres and spaces, for a musical construction that relies on the artistic potential of the three musicians, improvisers and composers concerned and on an original instrumentation: trumpet/flugelhorn, vibraphone, double bass. There was also everyone's desire to create a fusional sound space, enriched by their personal journeys in jazz, contemporary music, world music. Thus the trio's music offers the listener a sonic journey that fluctuates between long, resonant beats and rhythmically denser short beats, between suppressed compositions and free improvisations.

À l’initiative de la création du KLM trio il y a eu l’idée de Philippe Macé de rassembler les conditions sonores, timbres et espaces, pour une construction musicale qui s’appuie sur le potentiel artistique des trois musiciens improvisateurs et compositeurs concernés et sur une instrumentation inédite : trompette/bugle, vibraphone, contrebasse. Il y a eu aussi l’envie de chacun de créer un espace sonore fusionnel, enrichi de leurs parcours personnels dans le jazz, la musique contemporaine, les musiques du monde. Ainsi la musique du trio propose à l’auditeur un parcours sonore qui fluctue entre des temps longs, résonnants, et des temps courts plus denses rythmiquement, entre des compositions structurées et des improvisations libres.

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