Monika Kabasele & Cyril Galamini at 38 Riv

Singer Monika Kabasele and trombonist Cyril Galamini collaborate in different contexts, each time with versatile musicians. This time, their concert is inspired by a trip to Cuba, and expresses the colors and the musical and human energy that Havana inspired in them. The repertoire blends different worlds, from the Mediterranean to the Caribbean, from Latin music to French chanson, all linked by arrangements that make the songs fit the quintet's universe every time! Swing and salsa meet in an evening full of positive, creative energy, thanks to Monika and Cyril's collaborators: Abraham Mansfaroll, Gabriel Pierre and Dexter Goldberg. ...

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Singer Monika Kabasele and trombonist Cyril Galamini collaborate in different contexts, each time with versatile musicians. This time, their concert is inspired by a trip to Cuba, and expresses the colors and the musical and human energy that Havana inspired in them. The repertoire blends different worlds, from the Mediterranean to the Caribbean, from Latin music to French chanson, all linked by arrangements that make the songs fit the quintet's universe every time! Swing and salsa meet in an evening full of positive, creative energy, thanks to Monika and Cyril's collaborators: Abraham Mansfaroll, Gabriel Pierre and Dexter Goldberg. 

La chanteuse Monika Kabasele et le tromboniste Cyril Galamini collaborent sous différents contextes à chaque fois avec des musiciens polyvalents. Cette fois-ci leur concert s'inspire d'un voyage à Cuba et exprime les couleurs, l'énergie musicale et humaine que la Havane leur a inspiré. Le répertoire mélange différents univers, entre la Méditerranée et les Caraïbes, la musique latine ou la chanson française, tout est lié à l'aide des arrangements qui font que les chansons s'adaptent à chaque fois à l'univers du quintet ! Le swing et la salsa se rencontrent dans une soirée pleine d'énergie positive et créative grâce aux collaborateurs de Monika et Cyril : Abraham Mansfaroll, Gabriel Pierre et Dexter Goldberg. 

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