Yonathan Avishai Trio at Sunset-Sunside

He is without a doubt one of the main faces of today's jazz piano. From a very young age, he directs his own formations, plays with saxophonist Arnie Lawrence, then accompanies Omer Avital or Avishai Cohen... After "Modern Times" and "The Parade", he presents today his personal project in trio in all intimacy and proximity released on the prestigious ECM label. Irresistible poetry and elegance, his music will carry you away! "Yonathan Avishai is an instrumentalist whose musical discourse remains in all circumstances structured by breathing, space, silence, within the lineage of Ahmad Jamal, an inflexible mastery of pulsation and an innate sense of the most telluric blues, the most incisive swing. »TÉLÉRAMA...

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He is without a doubt one of the main faces of today's jazz piano. From a very young age, he directs his own formations, plays with saxophonist Arnie Lawrence, then accompanies Omer Avital or Avishai Cohen... After "Modern Times" and "The Parade", he presents today his personal project in trio in all intimacy and proximity released on the prestigious ECM label. Irresistible poetry and elegance, his music will carry you away! "Yonathan Avishai is an instrumentalist whose musical discourse remains in all circumstances structured by breathing, space, silence, within the lineage of Ahmad Jamal, an inflexible mastery of pulsation and an innate sense of the most telluric blues, the most incisive swing. »TÉLÉRAMA

Il est sans conteste l'un des principaux visages du piano jazz d'aujourd'hui. Dès son plus jeune âge, il dirige ses propres formations, joue en compagnie du saxophoniste Arnie Lawrence, puis accompagne Omer Avital ou encore Avishai Cohen.. Après "Modern Times" et "The Parade", il présente aujourd'hui son projet personnel en trio en toute intimité et proximité sorti sur le prestigieux label ECM. Irrésistible de poésie et d’élégance, sa musique va vous emporter ! « Yonathan Avishai est un instrumentiste dont le discours musical reste en toutes circonstances structuré par les respirations, l’espace, le silence, avec dans la lignée d’Ahmad Jamal, une maîtrise inflexible de la pulsation et un sens inné du blues le plus tellurique, du swing le plus incisif. » TÉLÉRAMA

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