Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.General Admission & All Ages. 21+ Standing Room Only Floor / All Ages Fully Seated Balcony (Subject to Change).* GA 21+ FLOOR tickets gain general admission access to the standing room floor ONLY** GA All Ages BALCONY tickets gain general admission access to the fully seated balcony ONLY*
In March 2026, the iconic electro-pop and darkwave masterminds Ladytron arrive reinvigorated with their eighth studio album Paradises, set for release on Nettwerk – the label known for releasing 2008’s ‘Velocifero’ and 2011’s ‘Gravity the Seducer.’ Opening three singles – the cultish, tropical modernity of “I Believe In You,” the techy, kinetic “I See Red,” and darkly euphoric “Kingdom Undersea” – are just a taste of the album’s riches, a slow reveal....
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Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.General Admission & All Ages. 21+ Standing Room Only Floor / All Ages Fully Seated Balcony (Subject to Change).* GA 21+ FLOOR tickets gain general admission access to the standing room floor ONLY** GA All Ages BALCONY tickets gain general admission access to the fully seated balcony ONLY*
In March 2026, the iconic electro-pop and darkwave masterminds Ladytron arrive reinvigorated with their eighth studio album Paradises, set for release on Nettwerk – the label known for releasing 2008’s ‘Velocifero’ and 2011’s ‘Gravity the Seducer.’ Opening three singles – the cultish, tropical modernity of “I Believe In You,” the techy, kinetic “I See Red,” and darkly euphoric “Kingdom Undersea” – are just a taste of the album’s riches, a slow reveal.
Blazing with colour, ‘Paradises’ is Ladytron at their most sleek, most romantic, most urgent, and most psychic – a luminescent, scratch-built collage of tech primitivism, high-priestess disco, spectral soul, and balearic noir. It’s a beach at the end of the world, filled with premonitions, prayers, and incantations. A lovesick solar journey through metaphysical paradises, fine days, and cruel summers. ‘
Paradises’ is not only their most expansive album yet, but also Ladytron’s most dance-oriented record since ‘Light & Magic’, and their most significant leap since ‘Witching Hour’. The album was produced by Daniel Hunt and mixed by long-time collaborator and producer Jim Abbiss (Grammy award winner for Adele’s debut album), who believes it’s their best record since ‘Witching Hour’.
Abbiss remarked: “When I heard the demos for ‘Paradises’ I was truly blown away. The variety in songwriting and arrangements reminded me of ‘Witching Hour’, but with its own unique atmosphere, sonics, and attitude that summed up all that I love about the band.” Helen Marnie described working with Jim again: “It was like a homecoming. We just fit. His enthusiasm is contagious, and having that in the room really creates a kind of magic.”
The album was made with a renewed focus and direction, with life providing a timely reminder of purpose and spirit. It is another unique album by a unique band – and a distillation of all they are.
Threads of dance music, such as proto-house, early electro, and disco, have woven through all their albums, and just like other facets of the group, come in and out of focus and prominence across their body of work. On ‘Paradises’, one unmistakable characteristic is that side of Ladytron coming to the fore, and creating a canvas for the formation of something new.
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