Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.General Admission & All Ages. 21+ Standing Room Only Floor / All Ages Fully Seated Balcony (Subject to Change).* GA 21+ FLOOR tickets gain general admission access to the standing room floor ONLY** GA All Ages BALCONY tickets gain general admission access to the fully seated balcony ONLY*
The Wonder Years have partnered with PLUS1 so that $.50 per ticket goes to support This Must Be The Place and their work in providing harm reduction services and preventing overdoses. Betheplace.org...
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Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.General Admission & All Ages. 21+ Standing Room Only Floor / All Ages Fully Seated Balcony (Subject to Change).* GA 21+ FLOOR tickets gain general admission access to the standing room floor ONLY** GA All Ages BALCONY tickets gain general admission access to the fully seated balcony ONLY*
The Wonder Years have partnered with PLUS1 so that $.50 per ticket goes to support This Must Be The Place and their work in providing harm reduction services and preventing overdoses. Betheplace.org
w/ Knuckle Puck & Initiate
For a number of years, this would have been an almost-blank page. Back in the mid-2010s, a few years after The Wonder Years had first formed in Lansdale, PA, just north of Philadelphia, the band would be asked to provide a bio for events they were playing. All Dan Campbell would write was ‘The Wonder Years is a band’. That was it. They’d then receive the programs for whatever festival or event it was for and laugh. Most bands, the frontman remembers, would write a “full page thing about how their last record charted and ours would just be a blank page with those six words at the top.” A lot of time has passed since then, and a lot has changed, although also not that much, at the same time. If The Wonder Years – completed by guitarists Matt Brasch and Casey Cavaliere, drummer Mike Kennedy, bassist Josh Martin and keyboardist/multi-instrumentalist Nick Steinborn – could get away with a six-word bio, they probably would.
As it happens, when it comes to The Hum Goes On Forever, context is important, which is why you’re reading these words. The most important reason is that this is the first record the band has made since Campbell became a father. And so, when he sings its very first words – ‘I don’t want to die’ – on its very first song, “Doors I Painted Shut”, they shimmer with a little extra poignancy and potency. Because as someone who has sung candidly about how despondent he’s felt at Mmes, thoughts of unexistence are no longer possible. It doesn’t mean they stop, but Campbell can no longer succumb to the abject malaise they induce.
There’s a lot of thinking on this record. A lot of thoughts. But the main one, the important one, is that very first line of the first song: I don’t want to die. It’s something he repeats and reiterates on final track “You’re The Reason I Don’t Want The World To End”, which addresses the change in Campbell’s purpose since becoming a dad. That’s obvious enough from the title alone, but with the final line – inspired by gardening with his first son during the pandemic – the message becomes truly clear: ‘Put the work in, plant a garden, try to stay afloat.’
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