Jesse Zubot In Concert + Inedia Film Screening at Viff Centre

Jesse Zubot is one of those unique musicians whose praxis spans multiple genres and transcends contextualization. Known mainly as a violinist, Zubot is also a multi-instrumentalist and tends to incorporate electronic manipulation and studio gadgetry within his work. For this performance Zubot will perform solo using a violin, viola and miscellaneous electronics. Zubot’s performance will stem from a place of improvisation and will incorporate multiple sounds and techniques that relate to his work as a film composer for award-winning films such as Bones of Crows, Indian Horse, Resident Orca, Nechako: It Will Be a Big River Again, Arthur Erickson: Beauty Between the Lines, Monkey Beach, Inedia and many others....

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Jesse Zubot is one of those unique musicians whose praxis spans multiple genres and transcends contextualization. Known mainly as a violinist, Zubot is also a multi-instrumentalist and tends to incorporate electronic manipulation and studio gadgetry within his work. For this performance Zubot will perform solo using a violin, viola and miscellaneous electronics. Zubot’s performance will stem from a place of improvisation and will incorporate multiple sounds and techniques that relate to his work as a film composer for award-winning films such as Bones of Crows, Indian Horse, Resident Orca, Nechako: It Will Be a Big River Again, Arthur Erickson: Beauty Between the Lines, Monkey Beach, Inedia and many others.

This 60-minute solo performance will be complemented by a preview screening of Inedia (107 mins). Liz Cairns’ mesmerizing debut — filmed on Salt Spring island — tells the disturbing story of a young woman suffering from mysterious food allergies. When all else fails, she joins a remote island community practicing a lifestyle rooted in the theory of nourishment by light. Initially seduced by its charismatic leader (Susanne Wuest) and other members’ peaceful disposition, she soon realizes that not everything is as it seems when hidden tensions emerge and food deprivation becomes its own distraction. Zubot’s score — composed with his brother Josh — incorporates a large palette of sounds including gongs, strings, wood blocks, metallaphones, synthesizers, Arabic flutes, drums and software instruments. They were able to create a very unique and haunting score that supports and helps drive the intensity of the film as it follows the dark psychological journey of lead character. The two composers were able to bring each others’ talents to a higher level by complimenting and challenging each other’s creative output.

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