South African pianist and researcher Nduduzo Makhathini - the first African artist to be signed by the iconic jazz record label Blue Note – is giving a talk at RMC moderated by RMC teacher Nikolaj Hess. Topics range from significance of jazz and South African jazz, spirituality and cosmology, music, history and culture and things in between.
About Nduduzo Makhathini
(text is cited from the prorgam New York Winter Jazzfest 2024)
Nduduzo Makhathini grew up in the lush and rugged hillscapes of umGungundlovu in South Africa, a peri-urban landscape in which music and ritual practices were symbiotically linked. The area is significant historically as the site of the Zulu king Dingane kingdom between 1828 and 1840. It’s important to note that the Zulu, in fact the African warrior code, is deeply reliant on music for motivation and healing. This deeply embedded symbiosis is key to understanding Makhathini’s vision....
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South African pianist and researcher Nduduzo Makhathini - the first African artist to be signed by the iconic jazz record label Blue Note – is giving a talk at RMC moderated by RMC teacher Nikolaj Hess. Topics range from significance of jazz and South African jazz, spirituality and cosmology, music, history and culture and things in between.
About Nduduzo Makhathini
(text is cited from the prorgam New York Winter Jazzfest 2024)
Nduduzo Makhathini grew up in the lush and rugged hillscapes of umGungundlovu in South Africa, a peri-urban landscape in which music and ritual practices were symbiotically linked. The area is significant historically as the site of the Zulu king Dingane kingdom between 1828 and 1840. It’s important to note that the Zulu, in fact the African warrior code, is deeply reliant on music for motivation and healing. This deeply embedded symbiosis is key to understanding Makhathini’s vision.
The church also played a role in Makhathini’s musical understanding, as he hopped from church to church in his younger days in search of only the music. The legends of South African jazz are deep influences as well, in particular Bheki Mseleku, Moses Molelekwa, and Abdullah Ibrahim. “The earlier musicians put a lot of emotions in the music they played,” he says. “I think it may also be linked to the political climate of those days. I also feel there is a uniqueness about South African jazz that created an interest all around the world and we are slowly losing that too in our music today. I personally feel that our generation has to be very conscious about retaining these nuances in the music we play today.”
Through his mentor Mseleku, Makhathini was also introduced to the music of John Coltrane’s classic quartet with McCoy Tyner. “I came to understand my voice as a pianist through John Coltrane’s A Love Supreme,” he says. “As someone who started playing jazz very late, I had always been looking for a kind of playing that could mirror or evoke the way my people danced, sung, and spoke. Tyner provided that and still does in meaningful ways.” Makhathini also cites American jazz pianists including Andrew Hill, Randy Weston, and Don Pullen as significant influences.
Active as an educator and researcher, Makhathini is the head of the music department at Fort Hare University in the Eastern Cape. He is a member of Shabaka Hutchings’ band Shabaka and the Ancestors appearing on their 2016 album Wisdom of Elders, and has also collaborated with artists including Logan Richardson, Nasheet Waits, Tarus Mateen, Stefon Harris, Billy Harper, Azar Lawrence, and Ernest Dawkins.
In addition to producing albums for his peers (such as Thandiswa Mazwai’s Belede and Tumi Mogorosi’s Project Elo), Makhathini has released eight albums of his own since 2014 when he founded the label Gundu Entertainment in partnership with his wife and vocalist Omagugu Makhathini. His Blue Note debut Modes of Communication: Letters from the Underworlds was named one of the “Best Jazz Albums of 2020” by The New York Times, and was followed by In the Spirit of Ntu in 2022.
Den sydafrikanske pianist og forsker Nduduzo Makhathini - den første afrikanske kunstner, der blev signet af det ikoniske jazzpladeselskab Blue Note - holder foredrag på RMC med RMC-underviser Nikolaj Hess som ordstyrer. Emnerne spænder fra jazzens og den sydafrikanske jazz' betydning til spiritualitet og kosmologi, musik, historie og kultur og alt derimellem.
Om Nduduzo Makhathini
(teksten er citeret fra prorgammet New York Winter Jazzfest 2024)
Nduduzo Makhathini voksede op i de frodige og barske bjerglandskaber i umGungundlovu i Sydafrika, et peri-urbant landskab, hvor musik og rituel praksis var symbiotisk forbundet. Området er historisk vigtigt, da det var her, zulukongen Dingane holdt til mellem 1828 og 1840. Det er vigtigt at bemærke, at zuluerne, faktisk den afrikanske krigerkode, er dybt afhængige af musik til motivation og helbredelse. Denne dybt indlejrede symbiose er nøglen til at forstå Makhathinis vision.
Kirken spillede også en rolle i Makhathinis musikalske forståelse, da han i sine unge dage hoppede fra kirke til kirke i sin søgen efter musikken. Legenderne inden for sydafrikansk jazz har også haft stor indflydelse på ham, især Bheki Mseleku, Moses Molelekwa og Abdullah Ibrahim. "De tidligere musikere lagde en masse følelser i den musik, de spillede," siger han. "Jeg tror også, det kan hænge sammen med det politiske klima på den tid. Jeg føler også, at der er noget unikt ved sydafrikansk jazz, som skabte interesse i hele verden, og det er vi også langsomt ved at miste i vores musik i dag. Jeg føler personligt, at vores generation skal være meget bevidst om at bevare disse nuancer i den musik, vi spiller i dag."
Gennem sin mentor Mseleku blev Makhathini også introduceret til musikken fra John Coltranes klassiske kvartet med McCoy Tyner. "Jeg kom til at forstå min stemme som pianist gennem John Coltranes A Love Supreme," siger han. "Som en, der begyndte at spille jazz meget sent, havde jeg altid været på udkig efter en form for spil, der kunne afspejle eller fremkalde den måde, mine folk dansede, sang og talte på. Tyner leverede det og gør det stadig på meningsfulde måder." Makhathini nævner også amerikanske jazzpianister som Andrew Hill, Randy Weston og Don Pullen som væsentlige indflydelser.
Makhathini er aktiv som underviser og forsker og er leder af musikafdelingen pĂĄ Fort Hare University i Eastern Cape. Han er medlem af Shabaka Hutchings' band Shabaka and the Ancestors og medvirker pĂĄ deres 2016-album Wisdom of Elders, og han har ogsĂĄ samarbejdet med kunstnere som Logan Richardson, Nasheet Waits, Tarus Mateen, Stefon Harris, Billy Harper, Azar Lawrence og Ernest Dawkins.
Ud over at producere album for sine kolleger (som Thandiswa Mazwais Belede og Tumi Mogorosis Project Elo) har Makhathini udgivet otte egne album siden 2014, hvor han grundlagde pladeselskabet Gundu Entertainment sammen med sin kone og sangerinde Omagugu Makhathini. Hans Blue Note-debut Modes of Communication: Letters from the Underworlds blev udnævnt til et af de "bedste jazzalbums i 2020" af The New York Times og blev efterfulgt af In the Spirit of Ntu i 2022.
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