| Jazz, song, compositionsCaloé sings and composes, writing lyrics and music, making vocal improvisation her playground and one of her strengths, whether in her interpretation of the melodies she revisits or in her use of scat, which she masters like an instrumentalist.Her generous stage presence, soft tone, and vocal technique make Caloé one of the most active singers on the French jazz scene.For this cabaret, Caloé explores the poetry of jazz, the poetry in jazz, dissects lyrics, and talks about the music of syllables and allegories. Two disciplines so closely linked, but rarely explored side by side, come together for this unique concert.Velours, velours — A kind of cabaretEvery Saturday afternoon, the 38Riv is transformed into a piano bar in Havana, a cozy club in Harlem, or a forgotten Broadway stage. This is not just a concert: it's a lively and theatrical immersion into the golden age of jazz and musical theater.Imagine a vibrant tribute to the voices of Billie Holiday, Judy Garland, Ella Fitzgerald, and Louis Armstrong. A timeless interlude, between the pages of a Fitzgerald novel and the backstage of a New York cabaret, where people sing, tell stories, play, and laugh.“Velours, velours” is the elegance of a bygone era, the warmth of a shared moment, and the emotion of a story told through music....
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| Jazz, song, compositionsCaloé sings and composes, writing lyrics and music, making vocal improvisation her playground and one of her strengths, whether in her interpretation of the melodies she revisits or in her use of scat, which she masters like an instrumentalist.Her generous stage presence, soft tone, and vocal technique make Caloé one of the most active singers on the French jazz scene.For this cabaret, Caloé explores the poetry of jazz, the poetry in jazz, dissects lyrics, and talks about the music of syllables and allegories. Two disciplines so closely linked, but rarely explored side by side, come together for this unique concert.Velours, velours — A kind of cabaretEvery Saturday afternoon, the 38Riv is transformed into a piano bar in Havana, a cozy club in Harlem, or a forgotten Broadway stage. This is not just a concert: it's a lively and theatrical immersion into the golden age of jazz and musical theater.Imagine a vibrant tribute to the voices of Billie Holiday, Judy Garland, Ella Fitzgerald, and Louis Armstrong. A timeless interlude, between the pages of a Fitzgerald novel and the backstage of a New York cabaret, where people sing, tell stories, play, and laugh.“Velours, velours” is the elegance of a bygone era, the warmth of a shared moment, and the emotion of a story told through music.
| Jazz, chanson, compositionsCaloé chante et compose, écrivant textes et musique, faisant de l’improvisation vocale un terrain de jeu et l’un de ses atouts, que ce soit dans l’interprétation des mélodies qu’elle revisite ou en recourant au “scat” qu'elle maîtrise à la manière d'une instrumentiste.Son jeu de scène généreux, son timbre doux et sa technique vocale font de Caloé une des chanteuses les plus actives de la scène jazz française.Pour ce cabaret, Caloé explore la poésie du jazz, la poésie dans le jazz, décortique les textes, parle de la musique des syllabes et des allégories. Deux disciplines si intimement liées, mais rarement explorées côte à côte, se côtoient pour ce concert inédit.Velours, velours — A kind of cabaretChaque samedi après-midi, le 38Riv se transforme en un piano-bar à la Havane, en un club feutré de Harlem ou en une scène de Broadway oubliée. Il ne s’agit pas seulement d’un concert : c’est une plongée vivante et théâtrale dans l’âge d’or du jazz et de la comédie musicale.Imaginez un hommage vibrant aux voix de Billie Holiday, Judy Garland, Ella Fitzgerald et Louis Armstrong. Une parenthèse hors du temps, entre les pages d’un roman de Fitzgerald et les coulisses d’un cabaret new-yorkais, où l'on chante, on raconte, on joue et on rit.« Velours, velours », c’est l’élégance d’une époque révolue, la chaleur d’un moment partagé, et l’émotion d’une histoire racontée en musique.
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