La Jam Du Dimanche De Isaías Alves at Le Baiser Sale

In this final Brazilian jam session of 2025, the drums resound, powerful and ancestral, like a call from another world, opening up a space of freedom, fire and improvisation. An explosive jam session led by percussionist Isaías Alves.Born in São Luís, in north-eastern Brazil, a child of the drumming streets, he grew up in the popular festivals of Maranhão before taking his sounds to Europe. A cross between Afro-Brazilian traditions and the freest jazz improvisation, inspired by Tânia Maria, João do Vale, Hermeto Pascoal and Naná Vasconcelos, he weaves a living bridge between memory and invention.Each jam session is a collective celebration where sounds seek and find each other. Maranhense jazz asserts itself as a unique voice, rooted and modern. A unique opportunity to vibrate, create, listen and be inspired. The drums are already speaking....

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In this final Brazilian jam session of 2025, the drums resound, powerful and ancestral, like a call from another world, opening up a space of freedom, fire and improvisation. An explosive jam session led by percussionist Isaías Alves.Born in São Luís, in north-eastern Brazil, a child of the drumming streets, he grew up in the popular festivals of Maranhão before taking his sounds to Europe. A cross between Afro-Brazilian traditions and the freest jazz improvisation, inspired by Tânia Maria, João do Vale, Hermeto Pascoal and Naná Vasconcelos, he weaves a living bridge between memory and invention.Each jam session is a collective celebration where sounds seek and find each other. Maranhense jazz asserts itself as a unique voice, rooted and modern. A unique opportunity to vibrate, create, listen and be inspired. The drums are already speaking.

En cette dernière jam brésilienne de l’année 2025, Les tambours résonnent, puissants et ancestraux, comme un appel venu d’ailleurs, ouvrent un espace de liberté, de feu et d’improvisation. Une jam explosive portée par le percussionniste Isaías Alves.Né à São Luís, au nord-est du Brésil, enfant des rues tambourinantes, il a grandi dans les fêtes populaires du Maranhão avant de faire voyager ses sons en Europe, un croisement entre les traditions afro-brésiliennes et l’impro jazz la plus libre, inspiré par Tânia Maria, João do Vale, Hermeto Pascoal ou Naná Vasconcelos, il tisse un pont vivant entre mémoire et invention.Chaque jam est une fête collective où les sons se cherchent et se trouvent. Le jazz maranhense s’y affirme comme une voix singulière, enracinée et moderne. Une occasion unique de vibrer, créer, écouter, s’enflammer. Les tambours parlent déjà.

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