Lucia Cadotsch "speak Low" at Greenwich House Music School

With a sharp-eared love of the past but a sensibility resolutely of the present, new-era jazz singer Lucia Cadotsch’s trio “Speak Low” – featuring tenor saxophonist Otis Sandsjö and double-bassist Petter Eldh – reanimates songs long seemingly set in amber. Hailing from their adopted home of Berlin, Germany – the 21st-century culture capital of Europe – these three musicians come at the Great American Songbook from a European angle, their “retro-futurist” sound as informed by remix culture and free jazz as by their appreciation for classic vocal records. Reviewing the group’s eponymous debut album of 2016, Speak Low (Yellow Bird/Enja), The Guardian declared: “Remember the name Lucia Cadotsch – you’re going to be hearing a lot of it,” adding: “Cadotsch is a young, Zurich-born vocalist who possesses a classical clarity, a folk singer’s simplicity and an appetite for performing very famous songs (‘Moon River,’ ‘Don’t Explain,’ ‘Strange Fruit’) in the company of two edgy free-jazz instrumentalists, who flank her sedate progress with split-note sax sounds and spiky basslines with percussive strumming. In this compelling trio’s hands, the process is remarkably melodious and illuminating... It’s all eerily beautiful.” Along with glowing reviews, Lucia won the 2017 Echo Jazz Prize – the German equivalent of a Grammy Award – for Best Vocalist of the Year for Speak Low. She and her Swedish friends Otis and Petter bring the bittersweet repertoire of Billie Holiday, Nina Simone, Abbey Lincoln and Dinah Washington vividly alive for a new generation of listeners, as well as for veteran music lovers in search of fresh treatments of these timeless songs. ...

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With a sharp-eared love of the past but a sensibility resolutely of the present, new-era jazz singer Lucia Cadotsch’s trio “Speak Low” – featuring tenor saxophonist Otis Sandsjö and double-bassist Petter Eldh – reanimates songs long seemingly set in amber. Hailing from their adopted home of Berlin, Germany – the 21st-century culture capital of Europe – these three musicians come at the Great American Songbook from a European angle, their “retro-futurist” sound as informed by remix culture and free jazz as by their appreciation for classic vocal records. Reviewing the group’s eponymous debut album of 2016, Speak Low (Yellow Bird/Enja), The Guardian declared: “Remember the name Lucia Cadotsch – you’re going to be hearing a lot of it,” adding: “Cadotsch is a young, Zurich-born vocalist who possesses a classical clarity, a folk singer’s simplicity and an appetite for performing very famous songs (‘Moon River,’ ‘Don’t Explain,’ ‘Strange Fruit’) in the company of two edgy free-jazz instrumentalists, who flank her sedate progress with split-note sax sounds and spiky basslines with percussive strumming. In this compelling trio’s hands, the process is remarkably melodious and illuminating... It’s all eerily beautiful.” Along with glowing reviews, Lucia won the 2017 Echo Jazz Prize – the German equivalent of a Grammy Award – for Best Vocalist of the Year for Speak Low. She and her Swedish friends Otis and Petter bring the bittersweet repertoire of Billie Holiday, Nina Simone, Abbey Lincoln and Dinah Washington vividly alive for a new generation of listeners, as well as for veteran music lovers in search of fresh treatments of these timeless songs.

"I haven't heard anything this impressive in a while“ JAZZPODIUM

“When Cadotsch sings standards with her kindred-spirit trio mates, Sandsjö on tenor saxophone and Eldh on double-bass, songs from a half-century ago feel renewed, as timeless art is refracted through a modernist prism. With no harmony instrument and the uncanny blend of these three performers – the cool precision of the vocalist, the free-jazz edge of the instrumentalists – such songs as ‘Willow Weep for Me’ and ‘Moon River’ have fresh textural and emotional resonance.” DownBeat - 5 stars (Bradley Bambarger)

“Remember the name Lucia Cadotsch – you’re going to be hearing a lot of it. Cadotsch is a young, Zurich-born vocalist who possesses a classical clarity, a folk singer’s simplicity and an appetite for performing very famous songs (‘Moon River,’ ‘Don’t Explain,’ ‘Strange Fruit’) in the company of two edgy free-jazz instrumentalists, who flank her sedate progress with split-note sax sounds and spiky basslines with percussive strumming. In this compelling trio’s hands, the process is remarkably melodious and illuminating... It’s all eerily beautiful.” THE GUARDIAN - 5 stars (John Fordham)

"The group is one of the most in-demand in Europe at present. With good reason." Oliver Weindling, The Vortex, London

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