Simon Lucaciu Trio at Loft

tickets:
regular: 12,- €uro
students, disabled persons: 6,- €uro

doors: 8.00 pm CEST
concert starts:
approx. 8.30 pm CEST

Sounds like this:
https://youtu.be/3vOLOIm1CCg


The SimonLucaciuTrio formed in 2016 in Plauen/Saxony, the birthplace of the three young musicians. Since the joint study from 2017 at the Hochschule für Musik und Theater in Leipzig, the band could very forced to deal with artistic influences and inspirations.
Under the old name DasRundeDreieck they played many concerts, a tour in 2019, recorded their debut album in April 2021, which will be released in June 2022 and most recently won the Central German Jazz Award....

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tickets:
regular: 12,- €uro
students, disabled persons: 6,- €uro

doors: 8.00 pm CEST
concert starts:
approx. 8.30 pm CEST

Sounds like this:
https://youtu.be/3vOLOIm1CCg


The SimonLucaciuTrio formed in 2016 in Plauen/Saxony, the birthplace of the three young musicians. Since the joint study from 2017 at the Hochschule für Musik und Theater in Leipzig, the band could very forced to deal with artistic influences and inspirations.
Under the old name DasRundeDreieck they played many concerts, a tour in 2019, recorded their debut album in April 2021, which will be released in June 2022 and most recently won the Central German Jazz Award.
On their new CD, Christopher Dell’s thoughts around the concept of improvisation and the possibilities of differentiation he proposes are of great importance. The conception of unusual forms expands the possibilities of organization. Therefore, not only are forms improvised here, but the forms are improvised as well. It is about a new quality of openness, which becomes elementary and is no longer oriented to schemes like theme-improvisation-theme.
The CD title CTRL + X adapts the key combination for cutting from computer language, with which something is put into a memory in order to be able to retrieve it from there and use it in other environments. This is perhaps the most important quality feature of this very thoughtful yet anything but cerebral music: it is aware of its means, can twist, turn and rearrange them. Then er-improvised contexts create their own forms, play with original material in an unconsumed way. This is a creative process that is not satisfied in juggling with set pieces and for which pure virtuosity is too little.

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