Nils Wogram Nostalgia | Nils „50“ at Loft

tickets:
regular: 12,- €uro
students, disabled persons: 6,- €uro

doors: 8.00 pm CET
concert starts:
approx. 8.30 pm CET

Sounds like this:
https://youtu.be/MEJIeq1LmEQ

Trombonist Nils Wogram (*7.11.1972) gives his fans and himself a birthday present and celebrates his 50th with a European tour of his organ trio Nostalgia.
With Nostalgia, the drive and the joy of playing are in the foreground. A real engergizer for Nils Wogram’s round anniversary.

https://nilswogram.com/bands/nostalgia-trio

When Wogram founded the trio Nostalgia, the sum of sound and band name provided a deliberate counterpoint to the trombonist’s other projects...

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tickets:
regular: 12,- €uro
students, disabled persons: 6,- €uro

doors: 8.00 pm CET
concert starts:
approx. 8.30 pm CET

Sounds like this:
https://youtu.be/MEJIeq1LmEQ

Trombonist Nils Wogram (*7.11.1972) gives his fans and himself a birthday present and celebrates his 50th with a European tour of his organ trio Nostalgia.
With Nostalgia, the drive and the joy of playing are in the foreground. A real engergizer for Nils Wogram’s round anniversary.

https://nilswogram.com/bands/nostalgia-trio

When Wogram founded the trio Nostalgia, the sum of sound and band name provided a deliberate counterpoint to the trombonist’s other projects. He himself, however, is not a nostalgic person, neither as a musician nor as a private person, and this is also true for his two companions. All three live in the here and now and want to participate in developing the music further. For this, Wogram needs no headline. He eludes all reflexes and expectations, neither wants to provoke nor to preserve, but only brings to ear what he and his fellow players are longing for. Some melodies on „Things We Like To Hear“ simply capture moods, others ask you to move or hum along, still others may remind you of a good old film noir. His goal is to bring intellect and body together. „Things We Like To Hear“ is the next step in that direction. „For us, the solo is not an end in itself, but a vehicle to convey the overall sound of the group. In this respect, I learn a lot from my students. They don’t need long explanations, they just get going. That helps me immensely to reflect on my own work as well. I want to capture all generations. That’s why the emotionality has to be coherent, otherwise the music becomes an empty shell.“

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