Liane Carroll at St Jude On-The-Hill

“A jazz force to be reckoned with...the real thing” The Independent
Internationally renowned jazz vocalist Liane Carroll has won fistfuls of awards for her unique and personal interpretation of standards and originals alike.
Her gigs are always a joyful experience guaranteed to lift the spirit and restore your faith in humanity. She’s a first-call regular at Ronnie Scott’s in London, and travels all over the world to perform for her many fans worldwide.
For this special one-off performance she’s joined by three leading UK jazz musicians: bassist Roger Carey, Jeremy Shoham on saxes and drummer Rick Finlay....

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“A jazz force to be reckoned with...the real thing” The Independent
Internationally renowned jazz vocalist Liane Carroll has won fistfuls of awards for her unique and personal interpretation of standards and originals alike.
Her gigs are always a joyful experience guaranteed to lift the spirit and restore your faith in humanity. She’s a first-call regular at Ronnie Scott’s in London, and travels all over the world to perform for her many fans worldwide.
For this special one-off performance she’s joined by three leading UK jazz musicians: bassist Roger Carey, Jeremy Shoham on saxes and drummer Rick Finlay.
The first artist ever to win two BBC Jazz Awards in the same year, for Best Vocalist and Best of Jazz, Liane is a dynamic vocalist and pianist whose amazing talent has been captivating audiences around the world. She is recognised as one of the finest singer/pianists on the scene, working with the likes of Gerry Rafferty, Ladysmith Black Mambazo and Paul McCartney, and has been a featured performer at Glastonbury Festival. Her albums have been received with universal acclaim and led to an hour-long special on BBC TV featuring her performance at the Brecon Jazz Festival. Her CDs Up and Down and Ballads on Quiet Money records, produced by Grammy-nominated trumpeter/producer James McMillan, garnered equally-impressive reviews.
“Liane Carroll...she seems in some magical way to be made out of music” The Observer
“..swinging like hell one minute, brutally expressive and heartbreakingly tender the next....utterly brilliant” Time Out
“...world class” Guardian
“...deeply soulful” The Times
“...unswerving honesty and molten intensity...burningly expressive” Jazzwise

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