Roger Beaujolais Quartet: "bag Of Vibes" at Stoke-By-Nayland Hotel

We will hear a wonderful gig from vibes maestro Roger Beaujolais, who celebrates both the legendary musician Milt Jackson and the blues with fine performances and more than a touch of class.

Roger Beaujolais is celebrating his 40th year as a professional vibraphonist. Emerging extravagantly ponytailed into the 1980s acid jazz/dance/jive scene with the Chevalier Brothers, he has stayed true to the tuned percussion line by performing in many settings including a regular slot with Fairground Attraction. Now the ponytail has transmogrified into a beard of ZZ Top proportions, Beaujolais is still entranced by classic jazz and in particular how it can be performed on vibes....

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We will hear a wonderful gig from vibes maestro Roger Beaujolais, who celebrates both the legendary musician Milt Jackson and the blues with fine performances and more than a touch of class.

Roger Beaujolais is celebrating his 40th year as a professional vibraphonist. Emerging extravagantly ponytailed into the 1980s acid jazz/dance/jive scene with the Chevalier Brothers, he has stayed true to the tuned percussion line by performing in many settings including a regular slot with Fairground Attraction. Now the ponytail has transmogrified into a beard of ZZ Top proportions, Beaujolais is still entranced by classic jazz and in particular how it can be performed on vibes.

Milt Jackson (1923-1999) was, of course, one of the greatest vibes players of all time. Nicknamed ‘Bags’ (apparently because even as a young man he had bags under his eyes), Jackson was a mainstay of the Modern Jazz Quartet (MJQ) for over four decades. Tuxedoed and tidy, the MJQ are credited with taking jazz into the concert hall with their polished, restrained cool-school performances. Jackson wrote the classic 12-bar head Bags’ Groove and loved to play the blues, particularly at slow to medium tempos. This album Bags Of Vibes, recorded in 2017 and delayed by the pandemic, is both a tribute to Jackson and his music, a celebration of the vibraphone which first went on sale in 1924, and a wonderful excuse to lay down some great jazz.

We are delighted to welcome back the superb pianist Robin Aspland. He is a gifted and very imaginative improviser, with deep roots in the music, Robin is one of the UK’s busiest jazz pianists. As an accompanist, his taste is impeccable and, as a soloist, he finds unexpected delights in whatever material he addresses.

Milo Fell was with us in 2000 with Cuban Bop and drummed up a storm. Paul Jefferies is new to Fleece Jazz but has a great reputation among musicians.

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