Austin Brown "ain't Done Dreamin' Tour" With Lizzie And The Makers at Soho Live

 Austin Brown (formerly of Home Free) is a country star on the rise, with 129 MILLION views on Tik Tok,  58 MILLION on You Tube and  1.8 MILLION followers.   He broke into Billboard’s Top 20 with his solo single  “Hers Ain’t Mine.”  The tongue-incheek track garnered millions streams and captured the attention of  NBC’s #1 rated show, America’s Got Talent. Austin’s audition received four “YES" votes for his soulful original “Somebody Believed,” which amassed over 4.5 Million views.  The performance earned Austin an invite to join Eli Young Band on their fall tour and the opportunity to embark on his first solo US headline tour, AIN’T DONE DREAMIN’...

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 Austin Brown (formerly of Home Free) is a country star on the rise, with 129 MILLION views on Tik Tok,  58 MILLION on You Tube and  1.8 MILLION followers.   He broke into Billboard’s Top 20 with his solo single  “Hers Ain’t Mine.”  The tongue-incheek track garnered millions streams and captured the attention of  NBC’s #1 rated show, America’s Got Talent. Austin’s audition received four “YES" votes for his soulful original “Somebody Believed,” which amassed over 4.5 Million views.  The performance earned Austin an invite to join Eli Young Band on their fall tour and the opportunity to embark on his first solo US headline tour, AIN’T DONE DREAMIN’. Austin spent ten years as a tenor in  Billboard Country Album Chart-topping group Home Free, singing to sold out crowds all over the world, including: The Grand Ole Opry and SIX sold out shows at the Ryman.LIZZIE AND THE MAKERSOn their 2026 Everything’s Fine EP, Lizzie and the Makers unveil a nuanced reinvention of their already singular blend of Southern-tinged rock, dream pop, indie rock, and airy introspection. With golden-voiced frontwoman Lizzie Edwards, the New York quintet’s primary songwriter, Everything’s Fine’s five songs are more overtly hooky and keyboards-forward than prior L&TM material, draping epic, emotive melodies in otherworldly, subtly unsettling auras.Defying her constant comparisons to Janis Joplin, the classically-trained Edwards summons a heartfelt, nuanced mezzo-soprano shaped by Memphis soul legend Ann Peebles, Heart’s Wilson sisters, and jazz icon Billie Holiday. She’s assertive, yet vulnerable; defiant, yet proudly flawed.

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