Sinne Eeg Trio With Gilad Hekselman & Joe Martin at Birdland Theater

Sinne Eeg (vocals) with Gilad Hekselman (guitar) Joe Martin (bass)

Danish Jazz Vocalist Sinne Eeg is a brilliant vocalist & songwriter equally comfortable fronting big orchestras in concert halls as well as smaller ensembles in intimate jazz clubs. Everywhere she sings – Tokyo, Copenhagen, Los Angeles or Madrid – audiences are mesmerized by her incandescent phrasing and scatting, all with natural, perfect pitch.

Sinne has performed with American jazz icons including Larry Goldings, Peter Erskine, and Ken Peplowski, and has won the prestigious Danish Carl Prize 2018 for Song Of The Year, “Aleppo,” from her album DREAMS. she has received numerous accolades, including four Danish Music Awards, the Danish Radio P2 Jazz Prize, the Ben Webster Prize, the French Prix Du Jazz, and Queen Ingrid’s Honorary Grant, personally awarded by Queen Margrethe of Denmark....

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Sinne Eeg (vocals) with Gilad Hekselman (guitar) Joe Martin (bass)

Danish Jazz Vocalist Sinne Eeg is a brilliant vocalist & songwriter equally comfortable fronting big orchestras in concert halls as well as smaller ensembles in intimate jazz clubs. Everywhere she sings – Tokyo, Copenhagen, Los Angeles or Madrid – audiences are mesmerized by her incandescent phrasing and scatting, all with natural, perfect pitch.

Sinne has performed with American jazz icons including Larry Goldings, Peter Erskine, and Ken Peplowski, and has won the prestigious Danish Carl Prize 2018 for Song Of The Year, “Aleppo,” from her album DREAMS. she has received numerous accolades, including four Danish Music Awards, the Danish Radio P2 Jazz Prize, the Ben Webster Prize, the French Prix Du Jazz, and Queen Ingrid’s Honorary Grant, personally awarded by Queen Margrethe of Denmark.

"A vivacious vocalist with a winning, unpretentious stage presence… one of the top jazz vocalists on any continent." ---JazzTimes Magazine

"She possesses exceptional technique power, good taste, enunciation, control, earned wisdom – and knows how to work a song for all it’s worth, sometimes holding out a final climactic note until the very end, wowing audiences with a single sustained word." ---DownBeat Magazine

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