The level of commitment that makes Perfect Animal such a rewarding listen has been a constant in Becca Stevens’ lifelong musical journey. The daughter of a composer/multi-instrumentalist father and an operatically trained singer mother, she was born to the sound of her dad playing an Irish fiddle tune in the delivery room. She was just two years old when she began singing in her family’s band, the Tune Mammals. Growing up in Winston-Salem, NC, she spent much of her childhood on stage, singing, acting and dancing, including a yearlong tour in the lead role of The Secret Garden when she was ten....
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The level of commitment that makes Perfect Animal such a rewarding listen has been a constant in Becca Stevens’ lifelong musical journey. The daughter of a composer/multi-instrumentalist father and an operatically trained singer mother, she was born to the sound of her dad playing an Irish fiddle tune in the delivery room. She was just two years old when she began singing in her family’s band, the Tune Mammals. Growing up in Winston-Salem, NC, she spent much of her childhood on stage, singing, acting and dancing, including a yearlong tour in the lead role of The Secret Garden when she was ten.
In her teens, Becca studied classical guitar, and maintained an affinity for her home state’s Appalachian folk music traditions, while also developing her voice singing jazz standards with her peers and mentors in local clubs. After graduating from the high school program at the North Carolina School of the Arts with a major in classical guitar, she moved to New York to attend The New School for Jazz and Contemporary Music. It was there that she received a BFA with high honors in vocal jazz and composition, and where she met the musicians with whom she formed the Becca Stevens Band.
Stevens quickly began building a diverse body of work, and earning the respect and admiration of her peers. She launched her recording career with her well-received 2008 debut album Tea Bye Sea, which the New York Times called an “impressively absorbing album,” and its even more popular 2011 follow-up Weightless.
Stevens has also emerged as an in-demand collaborator, lending her vocal, compositional and instrumental skills to a stunningly diverse array of projects. Since 2004, she has served as a lead singer of Travis Sullivan’s Björkestra, fronting a genre-bending 18-piece jazz orchestra interpreting the songs of Björk on three albums and countless live performances. She has also toured, recorded and written lyrics for jazz pianist Taylor Eigsti, singing on five songs on his landmark 2010 album Daylight At Midnight. She performed at Carnegie Hall as featured singer with jazz pianist Brad Mehldau, and premiered new works and performed at Carnegie Hall and the Newport Jazz Festival in collaboration with Gretchen Parlato and Lionel Loueke.
Stevens has also toured as part of drummer/composer Eric Harland’s all-star band, written for and duetted with up-and-coming vocalist José James, and has written, recorded and/or performed live with such notable artists and players as Esperanza Spalding, Ambrose Akinmusire (for who Stevens composed the song “Our Basement (Ed)” which was listed as one of NPRs Top Songs of 2014), Dave Douglas, Gabriel Kahane, Tal Wilkenfeld and Aya Nishina – among many others. In 2014 Stevens was a featured vocalist on the Grammy-Award Winning Billy Childs record Map to the Treasure: Reimagining Laura Nyro – produced by Larry Klein
2010 saw the debut of Stevens’ first choral composition, Soli Deo Gloria, commissioned and performed by the Melodia Women’s Choir in New York. That piece was also commissioned to be reworked for jazz choir and performed at the New England Conservatory. More recently, she was a featured composer in the Mainly Mozart concert series in San Diego, for which her compositions were arranged for string quartet by her father William Stevens and Stephen Prutsman (Sigur Rós, Tom Waits,Kronos Quartet), and performed by Becca with the DeCoda String Quartet. She is also a featured singer and composer in Work Songs, a new work by Timo Andres, which premiered as part of the Ecstatic Music Festival in New York along with a world premiere of Stevens’ “A Contribution To Statistics”, a setting of a poem by Wisława Szymborska which Becca wrote for Gabriel Kahane, Ted Hearne, Nathan Koci, and Timo Andres.
Stevens has worked extensively as an educator, teaching private lessons and master classes on the voice and songwriting all over the world. She’s been on the faculty teaching classes in vocal performance, ensemble instruction, musicianship, and private lessons at the Manhattan School of Music and The New School, as well as various prestigious institutions in Belgium, Switzerland and the Netherlands. She also participates in musical education efforts in American high schools, prisons and homeless shelters.
“The last couple of years for me have been a time of strengthening my voice as an artist and as a human,” Stevens concludes. “And I can absolutely hear that in these songs.”
“The in-your-faceness of Perfect Animal is so different from Weightless that it’s hard to predict how it will be received,” she notes. ”All I know is that I love the way it sounds, and that there’s not a single part that I’m not proud to call my own.”
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