Takuya KurodaJazz trumpeter Takuya Kuroda is a forward-thinking musician with a bent toward mixing post-bop and adventurous soul-jazz. Born in Kobe, Japan, Kuroda followed his older trombonist brother into the local music scene, playing in big bands. After studying music in Japan, Kuroda relocated to Boston to attend the Berklee College of Music. While at Berklee, Kuroda befriended upcoming jazz vocalist Jos James, who invited Kuroda to record with him. Kuroda appeared on James 2010 sophomore album, Blackmagic, and later on No Beginning No End for which he also wrote the horn arrangements. After leaving Berklee, Kuroda moved to New York City, where he enrolled at the New Schools Jazz and Contemporary Music program, graduating in 2006...
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Takuya KurodaJazz trumpeter Takuya Kuroda is a forward-thinking musician with a bent toward mixing post-bop and adventurous soul-jazz. Born in Kobe, Japan, Kuroda followed his older trombonist brother into the local music scene, playing in big bands. After studying music in Japan, Kuroda relocated to Boston to attend the Berklee College of Music. While at Berklee, Kuroda befriended upcoming jazz vocalist Jos James, who invited Kuroda to record with him. Kuroda appeared on James 2010 sophomore album, Blackmagic, and later on No Beginning No End for which he also wrote the horn arrangements. After leaving Berklee, Kuroda moved to New York City, where he enrolled at the New Schools Jazz and Contemporary Music program, graduating in 2006. After graduating, Kuroda quickly ensconced himself in the vibrant N.Y.C. jazz scene, performing with such artists as Junior Mance, Greg Tardy, Andy Ezrin, Jiro Yoshida, Akoya Afrobeat, Valery Ponomarevs big band, and others. In 2011, Kuroda released the independently produced album Edge, followed by Bitter & High and Six Aces in 2012.In 2013, Kuroda signed with Blue Note Records and recorded his third solo album, the Jos James-produced Rising Son. Released in 2014, Rising Son featured a strong soul-jazz and hip-hop influence exemplified by the presence of several Roy Ayers compositions including Everybody Loves the Sunshine, which featured James on vocals.Chris McCarthyKnown for his high skill and sensitivity, (NYTimes) Chris McCarthy is one of the most in demand pianists in New York City. McCarthy has developed a reputation as one of the most imaginative and impressive voices on the New York jazz scene (Hot House Jazz Magazine). Early accolades included the 2012 Gerald Wilson Award for big band composition at the Monterey Jazz Festival. After playing with Jerry Bergonzi and Jason Palmers working bands in Boston for several years, he moved to New York in 2016 and has been collaborating with artists from around the globe in NYC ever since. He released his debut for Ropeadope Records Still Time To Quit in 2020. The album received widespread critical praise, including the #3 slot in Paul Rauchs Best Local Jazz Albums of 2020 for Seattle Times. McCarthy is known for his sensitive accompanying of vocalists, working with many of New Yorks finest. McCarthy is also active in the world music scenes, touring with Carnatic vocalist Roopa Mahadevan and Gnawa musician Samir Langus. His playing is featured on albums by rising stars such as vibraphonist Sasha Berliner, (Azalea 2019) and saxophonist Eden Bareket (Day Dream, 2021). In 2021 his playing was featured on BBC Radio 1 and drummer Questloves social media. He currently plays in legendary tap dancer Dormeshias new show Rhythm is Life, a New York Times Critics pick. Notes on Seating: The Jack London provides two options for ticket purchasers. Reserved Seating is purchased on a table-by-table basis in the central part of the venue and is only available for select shows. Seating in the General Admission section is limited, first come first served, and may be standing room only.
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