Diaphane | Loriot · Loher · Hübsch · Costa at Loft

tickets:
regular: 14,- €uro
students, disabled persons: 7,- €uro

doors: 7.30 pm CET
concert starts:
approx. 8.00 pm CET



Diaphane plays contemporary improvisations.
The quartet’s music moves between minimalist whispers and dense, colorful soundscapes. Using unusual techniques and objects, the ensemble creates abstract yet transparent textures. Although the music is created in the moment, catchy structures or forms often emerge.
Diaphane’s music draws on deep listening, patience and precision.
The audience becomes part of a process full of magic and sonic precision....

read more

tickets:
regular: 14,- €uro
students, disabled persons: 7,- €uro

doors: 7.30 pm CET
concert starts:
approx. 8.00 pm CET



Diaphane plays contemporary improvisations.
The quartet’s music moves between minimalist whispers and dense, colorful soundscapes. Using unusual techniques and objects, the ensemble creates abstract yet transparent textures. Although the music is created in the moment, catchy structures or forms often emerge.
Diaphane’s music draws on deep listening, patience and precision.
The audience becomes part of a process full of magic and sonic precision.
Listen:
http://www.carlocostamusic.com/carlocostamusic/Diaphane.html

Diaphane was founded in 2018 by Frantz Loriot as part of a residency at Moods in Zurich (CH). The quartet tours regularly and released its debut album Paris in 2021.
The second CD entitled Munich will be released in January 2025.

Press:
“Another fine addition to the discography of this great label and a prime example of intense, collaborative and intelligent improvisation.”
The Sound Projector Rezension for Paris

“Fragile and detailed on the one hand, very focused and together on the other. There is much to observe and enjoy in these multi-colored and highly interconnected improvisations. A joy!“
Vital Weekly Rezension for Paris

“Right from the start, they take the listener on a fascinating journey full of musical surprises. Regardless of the instruments used, all the sounds are fresh, unexpected and – as is often the case in Costa’s music – have an organic or natural quality.”
Free Jazz Blog Rezension for Paris

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