Joey Alexander at Yoshi's Oakland

It’s no coincidence two of the titles on pianist, bandleader and composer Joey Alexander’s inspirational debut on Mack Avenue Records, Origin, contain the words “rise” and “rising.”
“The Latin root of the word ‘origin’ is orire, which means to rise,” explains the restlessly searching musician, who has performed everywhere from the Obama White House to the Grand Ole Opry and has been nominated for three GRAMMY® awards. “During this pandemic, I think the first thing we should do is to start with being hopeful, which is the main theme of Origin. Instead of making it a source of frustration, I made it the source of inspiration to express myself in music.”...

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It’s no coincidence two of the titles on pianist, bandleader and composer Joey Alexander’s inspirational debut on Mack Avenue Records, Origin, contain the words “rise” and “rising.”
“The Latin root of the word ‘origin’ is orire, which means to rise,” explains the restlessly searching musician, who has performed everywhere from the Obama White House to the Grand Ole Opry and has been nominated for three GRAMMY® awards. “During this pandemic, I think the first thing we should do is to start with being hopeful, which is the main theme of Origin. Instead of making it a source of frustration, I made it the source of inspiration to express myself in music.”
Good plan. On his sixth album as a leader, his first featuring all his own material, Alexander has stretched his imagination into new territory, challenging himself to write rich melodic and harmonic interplay without ever abandoning the emotional candor and transparency that have captivated crowds and catapulted his albums to the top of the jazz charts.
Returning to the studio with the rhythm section from his last album – longtime collaborators Larry Grenadier (bass) and Kendrick Scott (drums) – plus stellar guests Gilad Hekselman on guitar and Chris Potter on saxophones, Alexander also adds new instrumental colors of his own, playing Fender Rhodes for just the second time on record (the first being last year’s single, “Salt”). The pianist favors the Rhodes for its soft side, contrasting its creamy sound with the hard-hitting lines of Potter and Hekselman.

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