Singer/songwriter Vanessa Collier’s sixth album, Do It My Own Way, comes out September 13 via Phenix Fire Records. Recorded on analog gear with the musicians largely in one room, Do It My Own Way is sonically inspired by the classic Memphis soul sound of Stax and Hi Records, especially that of the Staples Singers.
Second single “Wild As a Rainstorm,” which dives deep into soul territory, powerfully gives advice to women and people who feel left out to ignore the naysayers and “Be a tapestry of dreams.” The track has been added to Spotify’s official Retro Soul playlist. The groove and horns would make Willie Mitchell proud, and indeed feature legendary Hi Records organist Rev. Charles Hodges. The vocals are powerful, awe-inspiring, and undeniably soulful....
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Singer/songwriter Vanessa Collier’s sixth album, Do It My Own Way, comes out September 13 via Phenix Fire Records. Recorded on analog gear with the musicians largely in one room, Do It My Own Way is sonically inspired by the classic Memphis soul sound of Stax and Hi Records, especially that of the Staples Singers.
Second single “Wild As a Rainstorm,” which dives deep into soul territory, powerfully gives advice to women and people who feel left out to ignore the naysayers and “Be a tapestry of dreams.” The track has been added to Spotify’s official Retro Soul playlist. The groove and horns would make Willie Mitchell proud, and indeed feature legendary Hi Records organist Rev. Charles Hodges. The vocals are powerful, awe-inspiring, and undeniably soulful.
Talking about the album, Collier adds, “It’s a warmer and darker sounding record, recorded intentionally to reflect a throwback to older school soul, R&B, blues, and to the days of great songs and songwriters, tube amps and analog gear.”
Do It My Own Way takes listeners back to the heyday of music with Memphis soul-influenced horn arrangements, layers of vocals for color, and poignant and
powerful saxophone solos that deliver a quietly powerful undercurrent to each song and the album as a whole. Minor key Americana/noir “Take Me Back” served as the first single. The album kicks off with the funk workout “Elbow Grease.” On an album full of incredible grooves, “Shoulda Known Better” stands out while “Just One More” sways to a rhumba beat.
The gospel-tinged “Rosetta” pays tribute to one of Collier’s heroes, electric guitar pioneer Sister Rosetta Tharpe. Collier sings, “She’s carried the torch so I can see a little bit better… There’d be no Elvis or Chuck Berry. Sometimes the women do it best. She tackled all the inequities. And fought with strength and audacity.”
Kicking off on resonator guitar before the full band joins in, album closer “Warrior” paints the picture of a powerful woman and is both a universal message about the strength and experience of women and a tribute to Collier’s mother. The anthemic, slinky third single and title track artfully comments on the sexism she’s encountered in life and in the music industry. Collier has encountered calls from members of the industry to dress in sexy clothes and not rock the boat, but has successfully taken hold of her own career.
“The opening lines are a piercing statement of the overused, antiquated, and tired views within the industry. And the lyrics of the second verse demonstrate how the industry attempts to put and keep women ‘in their place’ by undermining them,” she recounts, continuing, “I find that most artists I admire - namely, Prince, James Brown, and Bonnie Raitt, went against the grain and did things that people hadn’t thought of before and that people hadn’t seen before, changing the industry as they went. This song is an assurance that I will continue to choose to fight quietly or publicly, if needed, to represent myself as I want to be represented in this industry, and that I will not allow someone else to define who I am. It’s also a statement of hope that the industry is, can, and will continue to progress.”
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