Paul Cornish Trio at SJZ Break Room

Paul Cornish represents the latest evolution in Blue Note Records' 86-year legacy, embodying a rare duality of honoring jazz tradition while forging an entirely new path forward as a Houston-born pianist now based in Los Angeles. Cornish emerges from Houston's remarkable musical ecosystem, particularly the Kinder High School for the Performing and Visual Arts, which has produced an extraordinary lineage of Blue Note artists including Jason Moran, Robert Glasper, and James Francies. His artistic development spans classical training from age five, church music that taught him service beyond self, and formal education at USC and UCLA's prestigious Herbie Hancock Institute, where he studied directly with Hancock and Wayne Shorter...

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Paul Cornish represents the latest evolution in Blue Note Records' 86-year legacy, embodying a rare duality of honoring jazz tradition while forging an entirely new path forward as a Houston-born pianist now based in Los Angeles. Cornish emerges from Houston's remarkable musical ecosystem, particularly the Kinder High School for the Performing and Visual Arts, which has produced an extraordinary lineage of Blue Note artists including Jason Moran, Robert Glasper, and James Francies. His artistic development spans classical training from age five, church music that taught him service beyond self, and formal education at USC and UCLA's prestigious Herbie Hancock Institute, where he studied directly with Hancock and Wayne Shorter. This diverse foundation has shaped Cornish into a versatile artist who seamlessly moves between jazz purity and contemporary innovation, collaborating with both Joshua Redman's acclaimed group and pop visionaries like Kanye West and HAIM. His approach reflects what he learned from mentors—that music is what you do, not who you are—resulting in a contemplative, harmonically sophisticated style that Robert Glasper describes as "understanding the history but not being held back by the history." Cornish's calm exterior masks what he calls chronic overthinking, channeling that internal complexity into music that prioritizes feeling and mystery over technical display, positioning him as a thoughtful voice for jazz's next generation.

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