Praised by the New York Times for his “genuine originality,” Rufus Wainwright has established
himself as one of the great male vocalists, songwriters, and composers of his generation. The
New York-born, Montreal-raised singer-songwriter has released ten studio albums to date, three
DVDs, and three live albums including the Grammy-nominated Rufus Does Judy at Carnegie
Hall. He has collaborated with artists such as Elton John, Burt Bacharach, Miley Cyrus, David
Byrne, Boy George, Joni Mitchell, Pet Shop Boys, Heart, Carly Rae Jebsen, Robbie Williams,
Jessye Norman, Billy Joel, Paul Simon, Sting, and producer Mark Ronson, among many others....
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Praised by the New York Times for his “genuine originality,” Rufus Wainwright has established
himself as one of the great male vocalists, songwriters, and composers of his generation. The
New York-born, Montreal-raised singer-songwriter has released ten studio albums to date, three
DVDs, and three live albums including the Grammy-nominated Rufus Does Judy at Carnegie
Hall. He has collaborated with artists such as Elton John, Burt Bacharach, Miley Cyrus, David
Byrne, Boy George, Joni Mitchell, Pet Shop Boys, Heart, Carly Rae Jebsen, Robbie Williams,
Jessye Norman, Billy Joel, Paul Simon, Sting, and producer Mark Ronson, among many others.
He has written two operas, numerous songs for movies and TV, and is currently working on his
first musical for the West End and a Requiem. His latest GRAMMY® and JUNO nominated
album of original songs, Unfollow the Rules, finds Wainwright at the peak of his powers,
entering artistic maturity with passion, honesty, and a new-found fearlessness. To celebrate his
50th birthday he will release a studio album of folk songs and duets featuring among others
Chaka Khan, Brandi Carlile, John Legend and Anohni in the summer of 2023.
Folkocracy is Rufus Wainwright revisiting his roots, of childhood summers spent at folk festivals and
watching his famous family on stage. But it’s also the sound of an artist in the present, flanked by an
incredible array of guests, using all he has learnt from conquering pop to make music worthy of
awards.
It was during 2021’s Grammys ceremony that the idea for an album of folk reinventions came to
Rufus. Nominated for his return-to-pop record Unfollow The Rules, he sat through countless folk and
Americana categories and felt a pang for the past.
“I was already contemplating an album of covers,” says Rufus. “Initially I thought I’d choose big pop
songs, make them into my style and have a huge hit record. Haha!
“But the older I get, the more I appreciate how valuable my folk knowledge is, to have had it ingrained
in me as a child. I have a big birthday coming up. What better way to celebrate than singing some of
the songs that shaped me with some of the artists I most admire?
“I’ve shied away from folk in the past, preferring the worlds of opera and pop. But the fact is I’m from a
bona fide folkocracy who mixed extensively with other folkocracies such as the Seegers and the
Thompsons. As I hurtle towards 50, I’m back where it all began.”
Joining Rufus on the journey is an all-star cast. Brandi Carlile features on first single Down In The
Willow Garden, an ancient murder ballad brought beautifully up to date. John Legend, Chaka Khan,
David Byrne, Anohni, Sheryl Crow, Susanna Hoffs, Chris Stills, Nicole Scherzinger and Van Dyke
Parks all appear, alongside family members Anna McGarrigle and Martha and Lucy Wainwright.
“Getting lots of guests was a given from the start,” says Rufus. “The key to folk is community and
sharing a stage. But I didn’t want to make a duets record. We rode a fine line – guests, not duets.”
Rufus chose the 15 songs with producer Mitchell Froom. A handful he first heard in childhood, some
are standards from across continents, a couple he discovered while researching the record. Two are
what could be classed as folk fudges – a reframing of Franz Schubert’s Nacht und Träume and a
spellbinding rerecording of his own song Going to a Town, featuring his longtime friend Anohni.
“It was Mitchell who suggested one of my songs, a future folk classic as he calls it,” says Rufus. “It’s
certainly a protest song. And to record it, even remotely, with the incredible Anohni was a frightening
thrill.
“Schubert, in my mind, is firmly in the folk tradition. The most important factor of folk music is powerful
intimacy. It should always feel as though you and the performer are the only people in the room. You
get that with Bob Dylan and Joni Mitchell and, certainly, you get that with Schubert.”
Folkocracy opens with a spare, spine-tingling cover of Ewan MacColl’s Alone, performed with fast-
rising, young folk star Madison Cunningham, who grew up on Rufus records.
“Madison is all over the album, not just on Alone, but singing BVs and playing acoustic guitar,” says
Rufus. “She’s a fantastic guitarist and a real sensation right now. She recently opened for Harry
Styles. I am so excited to have her. It’s lovely to work with young artists whom I have helped form.”
Next up is Peggy Seeger’s Heading For Home, the album’s beautiful, banjo-backed second single, a
collaboration with the mighty John Legend.
“John was onboard early on,” says Rufus. “What I love is having him sing a song so far from his usual
repertoire. You can hear us spur each other on. In the folk world, there is a certain sparring which
occurs, which elevates the music.
“On purpose, the album starts and ends in Scotland. Heading For Home was written by Peggy
Seeger, who was married to Ewan McColl. The Seegers are probably the greatest folkocracy, so I’m
nodding to that. Plus, Peggy’s version of the song always makes me cry.”
The majority of Folkocracy was recorded live, largely in LA, either at iconic studios such as Sunset
Sound or at Mitchell’s home studio. Only David Byrne’s vocal on the sensual High On A Rocky Ledge
and Sheryl Crow’s on the gorgeous, girl group-like take on The Mamas & The Papas’ Twelve Thirty
were recorded remotely.
“David was in New York while I was in LA,” says Rufus. “We chose a Moondog song because we’re
both huge fans. I first discovered him on a sultry Hawaiian evening, this old man’s voice, singing the
most gorgeously simple yet sophisticated melodies. I credit David with a similar sensibility. Both their
music is incredibly accessible yet mysteriously distant at the same time.
“Twelve Thirty is a really interesting one. It’s a bunch of what I guess you could call ‘90s artists trying
to recreate the ‘60s. Flip that 9!
“I’ve always loved the song and I retain a real reverence for The Mamas & The Papas, a pre-eminent
band to mix folk and rock, who melded harmonies with a jamboree festival vibe. Our tribute band is
me, Chris Stills, Susanna Hoffs and Sheryl, who sent her back-ups from Nashville. The rest of us
were together. Susanna looked amazing. I don’t know her secret, but she hasn’t aged in decades.”
The first song recorded for Folkocracy was Down In The Willow Garden.
“Brandi I see a lot, often with Joni Mitchell,” says Rufus. “I chose us a cheery little number – not! The
song is so blatantly brutal and masochistic that I had to sing it with a woman. Sadly, we still live in a
violent world. The amazing thing about so many folk songs is that, content wise, they sound very
contemporary. Think of the gun crime in the States right now.”
The toughest guest to pin down was Chaka Khan, for a version of the country-folk classic Cotton Eyed
Joe based on a rare Nina Simone live recording.
“Tough not because she wasn’t willing, but that she lives on a different plane to us mere mortals,”
says Rufus. “I admit, there were nerves when she came to the studio. She’s a funk singer who
doesn’t do many ballads. But, of course, she totally delivered. Singing with Chaka is one of the
highlights of my career. Chaka and Rufus are back!”
The strangest song on Folkocracy is surely Kaulana Nā Pua, a Hawaiian protest song.
“The hardest thing I’ve ever done is sing that song properly,” he says. ““My husband and I fell in love
with Hawaii two years ago and bought some land there during Covid, as an exit plan. He wanted me
to sing a Hawaiian song and insisted I get a language coach, which of course I initially poo-pooed.
“Then I realised how challenging it is to sing in that language and had to admit he was right. It took
two coaches and hours and hours of practice and still I had to sing every line ten times.
“Kaulana Nā Pua I initially chose because it jumped out at me musically. Then I read the lyrics, which
are incredible. It’s a protest song against the US annexation of Hawaii. ‘We’d rather eat stones than
eat your money’ is my favourite line.
“Nicole I had met at a fundraiser where we performed together. She has an absolutely amazing voice.
Plus, she’s from Hawaii so a perfect fit. Her voice is like the ocean on the recording.”
Folkocracy closes with a family affair. Wild Mountain Thyme is a song Rufus grew up singing with his
sisters. Recorded in Montreal, this version features Martha, Lucy, aunt Anna, cousin Lily Lanken and
close family friend Chaim Tannenbaum playing Rufus’s late mother Kate’s iconic banjo.
“I’m so happy mum made it onto the album,” says Rufus. “Without her there would be no Folkocracy.”
Folkocracy will be released June 2nd, 2023
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