Tommy Castro at Rancho Nicasio

Over the course of his career, Tommy Castro’s San Jose DNA has always inspired his music, whether he’s squeezing out the deepest blues or the funkiest soul grooves. He and The Painkillers—bassist Randy McDonald, keyboardist Michael Emerson and drummer Bowen Brown—have played hundreds of shows to thousands of music lovers, always leaving his audiences screaming for more. All of his albums are filled with original blues, soul and West Coast rock, each song showing a slightly different side of Castro’s multifaceted musical personality. Billboard says the band plays “irresistible contemporary blues-rock” with “street-level grit and soul.” On his new album, STOMPIN' GROUND, Tommy Castro opens windows into both his past and his always-evolving musical future...

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Over the course of his career, Tommy Castro’s San Jose DNA has always inspired his music, whether he’s squeezing out the deepest blues or the funkiest soul grooves. He and The Painkillers—bassist Randy McDonald, keyboardist Michael Emerson and drummer Bowen Brown—have played hundreds of shows to thousands of music lovers, always leaving his audiences screaming for more. All of his albums are filled with original blues, soul and West Coast rock, each song showing a slightly different side of Castro’s multifaceted musical personality. Billboard says the band plays “irresistible contemporary blues-rock” with “street-level grit and soul.” On his new album, STOMPIN' GROUND, Tommy Castro opens windows into both his past and his always-evolving musical future. Produced by Castro and guitar wunderkind Kid Andersen and recorded at Andersen’s soon-to-be legendary Greaseland Studio in San Jose, STOMPIN' GROUND finds Castro letting loose on a set of 12 tracks featuring six originals and new versions of songs he learned and played as a young up-and-comer. He is simultaneously looking back with autobiographical originals and cover songs that inspired him, while forging a forward trail with modern lyrics atop blistering blues-rock. With The Painkillers firing on all cylinders behind him, Castro lays it all on the line from the opening notes of Nonchalant to the final, introspective Live Every Day. From the autobiographical My Old Neighborhood to the socially aware Enough Is Enough and Fear is The Enemy to versions of Elvin Bishop’s Rock Bottom and Taj Majal’s Further On Down The Road (two of his favorite songs from his earliest heroes), STOMPIN' GROUND is pure musical pleasure. “As soon as we started cutting,” Castro says, “we knew we were onto something.” For additional information see http://tommycastro.com/

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